MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

It’s Hype… But The Prize Is Pretty Great!

Dear David,

We are excited to announce that in celebration of the launch of their new iPhone and iPad app, MY DAILY CLIP, Sony Pictures Home Entertainment is giving Twitter users a chance to win 365 DVDs.

You have until April 11th to follow @MyDaily Clip and tweet “Give me my movies! #MyDailyClip” to be entered for a chance to win a DVD for each day of the year.

Enter now: http://twitter.com/#!/mydailyclip

With a new or classic movie clip to watch each day on your iOS device, MY DAILY CLIP is the must-have app for every movie fan!  Watch memorable moments from classic films like Spider-man, Ghostbusters and Dr. Strangelove.

Download the app for free at http://itunes.apple.com/us/app/my-daily-clip/id423054595?mt=8

You may not have time for a feature-length movie, but you always have time for a clip!

ABOUT MY DAILY CLIP:
My Daily Clip is the ultimate daily companion for every movie fan. Receive a new movie clip on every day of the calendar year and search by special themes to unearth a classic scene, share a teary moment, or access action and adventure. My Daily Clip delivers perfectly edited and high quality video, served via adaptive streaming, to optimize the user viewing experience. Connect with Facebook to share clips with your friends, test your knowledge through embedded movie trivia, or purchase the feature-length movie directly from iTunes all from inside the beautifully designed iPhone and iPad application. You may not have time for a feature-length movie, but you always have time for a clip. My Daily Clip.

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One Response to “It’s Hype… But The Prize Is Pretty Great!”

  1. Jeffrey Boam's Doctor says:

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon