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David Poland

By David Poland poland@moviecitynews.com

Pirates 4: Cap’n Jack Undoes The Wrong Chastity Belt!

I’m actually quite happy to see Disney putting out some story elements of the film. No doubt, it will look beautiful. But the story really does matter, no matter how much critics scream!

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5 Responses to “Pirates 4: Cap’n Jack Undoes The Wrong Chastity Belt!”

  1. Geoff says:

    Hans Zimmer’s doing the music? Hmmm, maybe I’ll see this.

    Actually, you know what would get me more excited? If it came out that this only about 100 minutes long. Man, even the first one was heavily padded.

    These pirate movies are supposed to be fun romps! Not at 2:35…

  2. Triple Option says:

    I am Definitely NOT complaining because I find Cruz to be a substantial upgrade but what happened to Knightly?

  3. LexG says:

    Cruz is NOT an upgrade over KEIRA POWER.

    WISPY, DEMURE, WILLOWY AND SMALL-TOPPED over fiery, Latin, and and brusque any day.

    BRIT POWER.

  4. IOv3 says:

    Triple, Keira and Orlando are taking a sabbatical from these. Apparently making the other two sequels wore them out. This leaves us with two new characters to fit the romantic bill and THEY CONTINUE TO KEEP THIS STORY HIDDEN!

    If you look in the last trailer and this piece, you see a sad mermaid and a guy looking at her. That’s the love story of this movie, it’s probably a big part of the movie, and they refuse to bring it up outside of a brief reference about it in this past week’s EW.

    I get not wanting to sell THE ROMANCE but they are going to have to do it at some point. If not, you will get people going on about being bait and switched. Which is never good.

  5. movieman says:

    Despite my (substantial) reservations about the preceding trilogy as a whole, Marshall is NOT an improvement over Verbinski.
    My only hope (prayer?) is that it somehow manages to clock in at under two hours. Now that would be a significant plus in my book!

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon