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David Poland

By David Poland poland@moviecitynews.com

The Film Delivelution: 30811

Universal First Studio to Make All Movie Clips Available Online

Missing from this Hollywood Reporter headline? “Intentionally.”

Because, as we all know, the most popular moments from many, many movies are on YouTube already. But those are not fully controlled or monetized by the studios. This announcement with AnyClip.com is another step towards studios being much more aggressive about controlling their own content.

AnyClip’s service, which seems great at first – until you look real close – is interesting conceptually. There are still very limited clips. For instance, they have Fast Times At Ridgemont High, but no Spicoli and the Phoebe Cates/Judge Reinhold bathing suit scene is listed, but is not available when you click on it. Ratings issues may be an unspoken issue. And the embed option is not currently available on any clip… and that is, really, what will make the whole thing work. It’s not looking through clips that is fun. It’s the ability to contextualize with them.

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9 Responses to “The Film Delivelution: 30811”

  1. yancyskancy says:

    I’ve been trying to think of a circumstance in which I would find this AnyClip service useful. I got nothin’. Maybe if I’m writing a paper or essay and want to refresh my memory of certain moments without pulling out a DVD? Or I’m sitting around with friends and need to settle a bet about a particular moment or line of dialogue? Whatever. I don’t get it.

  2. Oddvark says:

    How is this different than http://movieclips.com/ which has way more clips (from a bunch of different major studios, including Universal)?

  3. David Poland says:

    seems to be the same thing.

    Interestingly, different clips from Fast Times.

    Will look into it.

  4. LexG says:

    Phoebe Cates was OK but that scene was always overrated. JJL has much better nudity in the movie and I prefer white girls to Vaguely Asian (TM SNL), even if the only thing I’ve ever been able to pull in my adult life is Asian Pussy because White Men In L.A. can’t get White Women.

  5. yancyskancy says:

    I just like how that’s the first scene Dave goes looking for on these sites. 🙂

  6. Proman says:

    Yeah, Lex. THAT’s your problem. Keep saying that to yourself.

  7. cadavra says:

    Seriously, Lex, what part of Burbank are you in? I’m there frequently and there are plenty of WW walking around.

  8. LexG says:

    Yeah, old horse-crone types.

  9. cadavra says:

    Sigh…

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon