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David Poland

By David Poland poland@moviecitynews.com

The New Newsweek by Ted Rall

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5 Responses to “The New Newsweek by Ted Rall”

  1. SamLowry says:

    BURN!

    I love Ted Rall; I put an anecdote about him in my master’s thesis that made my advisor blanch.

  2. Joe Leydon says:

    Any of you folks watching cable news tonight? Jesus, Obama looks righteously pissed. Sorry, folks, but he is winning the perception war. Of course, it helps that he’s up against people who look like bad movie stereotypes. As I have posted elsewhere: If you were a casting director, given the task of finding someone to play a lying sack of shit, and John Boehner walked in to audition — wouldn’t you think, “Well, damn, I can go home early today.”

  3. SamLowry says:

    “Republicans lined up for hours to threaten to wreck the President’s attempt to raise the debt ceiling. They seemed to take for granted the underlying robustness of their country’s economic and political arrangements. This is a mistake. The greatest capitalist country in history is now dependent on other people’s capital to survive. In such circumstances, Western democracy starts to feel like a threatened luxury. We can wave banners about “life, liberty and the pursuit of happiness”, but they tend to say, in smaller print, “Made in China”.”

    http://www.telegraph.co.uk/news/politics/8655106/Im-starting-to-think-that-the-Left-might-actually-be-right.html

    And “One thing that is different is that people in general have lost faith in the free-market, Western, democratic order. They have not yet, thank God, transferred their faith, as they did in the 1930s, to totalitarianism. They merely feel gloomy and suspicious. But they ask the simple question, “What’s in it for me?”, and they do not hear a good answer.”

  4. chris says:

    Some of this is inaccurate but the magazine spends way too much time on the British royal family. That what if Diana lived cover story was creepy and pointless, who gives a shit. Best mag isBloomberg business week. Always illuminating and actually fair politically. The story a few weeks ago about the Busch family, st. Louis beer dynasty, was one of the best things I’ve read all year.

  5. SamLowry says:

    It’s not all that original, either. IIRC, the second Book Of Lists from 31 years ago opened with a very detailed illustration of a 55 year-old Marilyn Monroe.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon