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DP/30 Emmywatch: The Walking Dead, actor Scott Wilson

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7 Responses to “DP/30 Emmywatch: The Walking Dead, actor Scott Wilson”

  1. matthew says:

    I think this character was woefully underdeveloped (as are most of the rest of the cast, to be honest), but he did a fine job in the role.

  2. JS Partisan says:

    Yeah… no. Hershel is awesome on this show. His last stand moment in the finale is one of the highlights of the entire season. Why people complain about the writing on this show as if they can do better, remains one of the weirdest parts of the criticism of the Walking Dead.

  3. Paul D/Stella says:

    SPOILERS

    2-3 weeks ago Lori (who is a useless idiot and needs to die) turned all Lady Macbeth and encouraged Rick to do something about the dangerous Shane, who believed that Rick had stolen what was rightfully his (Lori and Carl). She clearly was telling Rick to kill Shane. So when Rick does kill Shane, in self defense, what does Lori do? Act like Rick is a monster and turn away from him. That is a textbook definition of bad writing. My 4 year-old could do better.

    I enjoyed the last stand at the farm. It was hilarious, like an ’80s or ’90s action flick. Everyone’s gun had unlimited bullets. Everyone was suddenly an expert marksman, whipping off head shots from moving vehicles like it was a video game. All it needed was a Van Damme or Seagal cameo.

  4. JS Partisan says:

    SPOILERS

    No, she was not telling Rick to kill Shane. If you actually paid attention to what Rick told her in the finale. RICK ON HIS OWN, had had enough of Shane. Shane trying to lure him out into the field to kill him, was the final straw, and Rick stuck him because of it.

    What you seem to be missing is that Lori still cared for Shane. She still had feelings for him, and that his death still freaked her out. It’s not her fault that you misinterpreted her wants and desires (Or Kirkman’s or Mazarra’s who literally go out of their way to EXPLAIN EVERYTHING in post-mortem articles), but everyone seems to want to make Lady Scottish Play references about her. When, really, she’s doing the best she can in a shit situation.

    Now for your other problem: http://img.gawkerassets.com/img/17h4sn2qv4ja3jpg/original.jpg

    FACED!

    ETA: Oh yeah, isn’t it a big glaring red flag for anyone to want a pregnant character to JUST DIE ALREADY? Isn’t that just a… WHOPPING HUGE BIT FUCKED UP?

    You’ve never read the comic or a comic recently because you think they give you kooties but trust me, you want Lori around, and I hope in a year she’s still around. If not, the shit this show might be getting in a year will be so epic and out of hand, that it could sink it.

  5. Yancy Skancy says:

    Didn’t know Scott Wilson was on this show. Almost makes me wish I’d kept watching past the first three episodes of Season 1. Almost.

    Wilson was great in his JUSTIFIED guest shot. Like most actors his age, he doesn’t get tons of opportunities to shine, but when he does he nails it. MONSTER, SHILOH, JUNEBUG, etc. Always love it when he pops up in something.

  6. Wilder says:

    This guy is a legend.

    “You’re so dumb you’re adorable.” – THE NINTH CONFIGURATION, his greatest performance IMHO.

  7. Not David Bordwell says:

    He’s really good in a small role in FLESH AND BONE, too.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
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“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon