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By DP30 david@thehotbuttonl.com

DP/30: Sneek Peeks On Day One, TIFF 2012

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9 Responses to “DP/30: Sneek Peeks On Day One, TIFF 2012”

  1. The Pope says:

    Looking forward to all of these. It will be interesting to see Gleeson in a couple of years. Undoubtedly, he will fill out a bit. And not just physically. He has screen presence, but alongside McFadden you can see how new to this game he is. Speaking of which, why isn’t McFadden a bigger star? In those short clips, he oozes.

    I saw Anna Karenina the other day and while I admire its daring ambition, the conceit collapses early on and what you end up with is the most opulent pantomime. Still, Wright has to be commended for not presenting ‘just another literary adaptation.’

  2. sanj says:

    wow – you got Keira Knightley .

    hope you post these dp/30’s faster …

    Jennifer Lawerence – Adam Sandler – Ryan Gosling – Adam Sandler are all there – did you get a chance to interview them ?

  3. berg says:

    did you mention that Adam Sandler was there

  4. The Pope says:

    Just read that a Korean film, Pieta won at Venice. And some people are already going around saying it won because of a technicality that prohibited Michael Mann and his jury from giving more than 2 awards to one film, i.e., The Master. With Phoenix and PSH sharing Best Actor and Anderson winning Best Director, they found they couldn’t give it the treble. So, Pieta was given the Golden Lion instead.

    Call it out now. This is BS. If Mann and his Jury wanted to give The Master the Golden Lion, they would have and they would have given Kim-Ki Duk the director of Pieta, Best Director. But you know what? They didn’t. So there.

  5. sanj says:

    Adam Sandler showed up to the press conference … he’s basically himself – Selena Gomez also there but didn’t say much …

    HOTEL TRANSYLVANIA Press Conference

  6. LexG says:

    KEIRA LOOOOOOOOOOOOOOOOOOK AT HER!!!!

  7. SamLowry says:

    “I’m used to it,” indeed.

    A rapid flinch response is usually an indicator of childhood abuse…or maybe I’m just reading too much into it.

  8. sanj says:

    so while i wait for DP to put up the new dp/30’s – i ended up watching 6 tiff 2012 press conferences – over 3 hours of video .

    Argo and Cloud Atlas had the biggest casts – seems like a waste for some actors who have 2 minutes of talk time during a 1 hour conference –

    i now have a good idea the difference how actors talk with big groups vs a dp/30 .

    hey DP – some new tiff 2012 updates would be nice …

    alao pretty amazing how quickly nobody talks about last years tiff movies still being good or whatever …

  9. indiemarketer says:

    Bend It Like Poland

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
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“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon