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David Poland

By David Poland poland@moviecitynews.com

A Message from The Greatest Generation (NSFW)

Old people are funny.

Follow your elders’ advice: visit VotersRising.org

Produced by Michael Moore
w/ Daron Murphy & David Ambrose of ART NOT WAR
Written by Michael Moore & Jonathan Schwarz
Directed by Laura Dawn
Associate Producers: Angela Linneman & Eddie Geller
DP: David Ambrose
Edited by David Ambrose & Laura Dawn
Assistant Editor: Eddie Geller
Original Music & Sound Design: Daron Murphy
Line Producer: Aaron Kinsley-Brooks
Set Design & Art Direction: Adrian Alexis
Props & Production Assistance: Sarah Kinsley-Brooks
Make Up & Hair: Ananda Khan

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6 Responses to “A Message from The Greatest Generation (NSFW)”

  1. Pete B. says:

    Jeez, 3 political items since Saturday. I guess I’ll wait to come back after November 6th and then maybe we’ll be back to talking about films.

  2. Joe Leydon says:

    Pete B: Actually, you don’t have to bother coming back. Doubt that you’ll be missed.

  3. bulldog68 says:

    Quote about FEMA.

    “Gov you’ve been asked 14 times, why are you refusing to answer the question?”

    Now that’s film making.

    A tragic character driven drama set against the backdrop of a devastating storm that ravages across the great American landscape. One man’s struggle to see if he can have more twists and turns than one of mother nature’s most powerful and destructive creations and still win an election. Opening everywhere November 6th.

  4. Pete B. says:

    Gosh Joe,

    Didn’t expect that much venom, especially from a fellow Hell on Wheels fan. It’s Dave’s Blog, so he can put on it what he wants. Just thought 3 items in 4 days was a bit much, but then I’m wore out from being near ‘Battlefield Ohio’.

  5. StellaPD says:

    I’m in Battlefield Wisconsin. I can’t wait for the campaign ads to end. In the U.S. Senate race here, 99% have been negative. The mute button has been my best friend.

  6. Dave says:

    Cock Punch. Hah! This video might be the best thing Michael Moore has ever created

The Hot Blog

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon