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David Poland

By David Poland poland@moviecitynews.com

Trailer – The Lone Ranger

Better. No?

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12 Responses to “Trailer – The Lone Ranger”

  1. StellaPD says:

    Better for sure, but what’s it about? Depp mentions justice and some bad guys are briefly glimpsed, but what the hell is the story? Or is that for the next trailer?

  2. Sam says:

    Very glad the trailer DOESN’T give away the story. Why do we even want that?

    This was an A+ trailer. Lots of money shots, a glimpse of actual acting and character stuff. I still can’t imagine this being anything better than a fun time quickly forgotten, but this trailer sure sells it.

  3. StellaPD says:

    Yeah hints at a story in a trailer, so useless. Don’t know what I was thinking.

  4. Smith says:

    The first trailer hinted more at the story, didn’t it? Definitely seemed like the Lone Ranger and Tonto would be teaming up to take on a corrupt rail road tycoon or something close to that. Emphasis more on the origin story this time. Anyway, this looks like a lot of fun, and its a thrill to see a western getting the ultra big budget blockbuster treatment, but Disney, Bruckheimer, and Depp are all still warning signs.

    I like the bit with the horse in the tree.

  5. Joe Leydon says:

    Stella: A Texas Ranger is the sole survivor of an ambush that leaves his fellow rangers dead. (Which is why he’s known as — wait for it… it’s coming — The Lone Ranger.) He’s befriended by an Indian (or, if you prefer, Native American) who advises him to wear a mask to help sustain the ruse that he is dead. Then the two guys team up to shoot people and blow up things, presumably as part of a plan to bring the ambushers to justice.

    Now, really, what else do you need to know?

  6. StellaPD says:

    Jesus I thought it was a harmless query. Clearly not. That’s what I get for posting my first knee-jerk reaction to the trailer. And I can barely remember the first trailer.

  7. Joe Leydon says:

    Stella: We kid, because we love.

  8. StellaPD says:

    Well as long as it comes from a place of love, there’s no way I can object.

  9. Krillian says:

    Better. Still wouldn’t surprise me if this is an awful movie. Depp and Bonham Carter need to stop being in so many movies together. Watch her worm her way into Pirates 5.

    BUT!…. I agree it looks like it could be popcorn fun, too.

  10. Js Partisan says:

    A much better trailer and a movie that’s coming across as a crazy ass western. Seeing as I love these characters and crazy ass westerns, this makes me doubly excited to see this movie.

  11. anghus says:

    Better until the final shot where the train gets thrown up into like a terrible computer generated clusterfuck a la Super 8, which still contains the most laughable train wreck in the history of film.

    other than that, i’m interested.

  12. StellaPD says:

    More laughable than Under Siege 2: Dark Territory? And are there still werewolves in The Lone Ranger or were those cut when they trimmed the budget?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon