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David Poland

By David Poland poland@moviecitynews.com

Trailer: Elysium

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6 Responses to “Trailer: Elysium”

  1. Pete B. says:

    For once a trailer that doesn’t give away the whole story. Hooray!

  2. J says:

    It has been too long since I’ve seen ‘Metropolis.’ Will get on that.

  3. berg says:

    never once during the screening The Act of Killing did I “empathize with Anwar” or any of his associates

  4. Jeffrey Boam's Doctor says:

    I don’t think his associates warrant spit but watching someone in deep physical and mental pain and not feeling anything because of his past crimes says a lot about the viewer.

    It’s a bit like watching a real life version of DEAD MAN WALKING and laughing at the end.

    Where is everybody? Is the Hot Blog officially dead? Normally a new trailer like this would have 30 comments minimum. Flat line action around here at the moment.

  5. berg says:

    “says a lot about the viewer.” …. yeah there’s also a doc film ENEMIES OF THE PEOPLE (2012) about killing, where the members of the Cambonian genocide reflect on their victims: in addition to torturing and killing them to death, they also ate their internal organs … it gave them power to continue to kill check it out …

  6. Jeffrey Boam's Doctor says:

    Berg, I’ve seen it and it is brilliant but the climax of Act of Killing is a very different fish. I found Enemies manipulative filmmaking whereas Act wears it’s manipulation on its sleeve. Both are harrowing and shocking but there’s an intimacy that the lingering camera in Act achieves that does cause many viewers to question their emotions. Apologies for the cheap shot.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon