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David Poland

By David Poland poland@moviecitynews.com

Trailer: The Fifth Estate (aka The Wikileaks Movie)

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2 Responses to “Trailer: The Fifth Estate (aka The Wikileaks Movie)”

  1. PcChongor says:

    Probably would have done better as an HBO movie.

  2. Emma Goldstein says:

    “The Fifth Estate” is based in part on Daniel Domscheit-Berg’s “Inside WikiLeaks.” It presents Domscheit-Berg as a hero for standing up to Assange. Here he is in his own words:

    
Along with trying to found a global anticensorship movement, I had assigned myself another job, perhaps the toughest of my life. I had gotten t-shirts printed with the WL logo…because I wanted to save two cents per t-shirt, I’d ordered them in white…Who buys white t-shirts? Especially in a social clique where black t-shirts are something of a dress code. I myself had never worn a white t-shirt in my entire life!

    Now I was sitting on 250 shirts…I literally had to stop people in their tracks as they were passing our stand and beg them to trade €5 from their wallets for a t-shirt.

    Julian preferred to engage potential customers in deep conversations about the state of the world. He stood there talking and talking, occasionally getting into an argument, until no one was thinking about t-shirts anymore.

    
(I had) the idea to have the WL hourglass tattooed on my back…I needed two Tylenol with water and was constantly asking Fjölnir which country of the logo he was on. ‘Now doing Iceland.’ I sighed. ‘Morocco.’ OMG. By the time we got to Cape Hope, hope was something I no longer had. To this day I run around with half of a WL logo tattooed on my back.

    
- Daniel Domscheit-Berg, “Inside WikiLeaks.”

    What do you think?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon