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David Poland

By David Poland poland@moviecitynews.com

Cannes 2014: Opening Day

I have long been of the opinion that Cannes is an indulgence to US press. Starting my third year covering the festival, I have to say, nothing’s changed that opinion.

But like Telluride, it’s a lovely indulgence.

It’s the most civil film festival of the biggies. The schedule is loaded, but manageable. The town is touristy, but sanity is just blocks away. The weather, for which I am missing L.A.’s first severe heatwave of the year, is coastal cool and sunny, with bouts of rain.

And oh, by the way, the movie selection of world premieres is world class. Even when they suck, they are challenging and worth the pain for lovers of cinema.

The competition element is the least attractive element of Cannes. Of course, it is the most written about because that is what journalism looks like these days. There are many fine exceptions to this rule, including the New York Times, which could care less about the game, but loves to consider the players.

I am a bit of a monk at film festivals. I see a lot of people I know, like, and love. But if I could sit in those dark rooms for 18 hours a day, IV-drip feeding me, I would be happy.

This year, for the first time, I have a producer with me for DP/30. So I hope to see films and then just show up for interviews and embrace the talent. That could be my only improvement on 18 hours in a theater. Ten hours and 3 or 4 hours talking to filmmakers about their work. I hope it plays out well.

But for now, it’s a decent night’s sleep (as defined by the father of a 4-year-old), some bread, some cheese, a coffee with creme, and a beautiful, sunny morning on the Croisette.

It’s definitely an indulgence. No Oscars will be secured here. No box office (or even distribution) in America assured. No one outside of The Bubble will care much what happens here.

But the power of cinema will be celebrated, if not by the media or the hordes taking endless photos or the publicity machines, by the movies themselves. There is no avoiding that. The power of cinema is more powerful than the parade.

And so, once more I indulge.

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3 Responses to “Cannes 2014: Opening Day”

  1. AdamL says:

    Could care less makes absolutely no sense. Couldn’t care less is the actual phrase.

    Enjoy your week!

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

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My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
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~ David Simon