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David Poland

By David Poland poland@moviecitynews.com

BYOB 010815

byob_charlie-massacre

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6 Responses to “BYOB 010815”

  1. PcChongor says:

    The most depressing part about satire getting attacked, whether it be digitally or physically, is that in the aftermath an entirely new group of fundamentalists who are just as idiotic in their radical misinterpretation of the original intent of the piece inevitably latch onto it and its creators (who they historically probably didn’t care much for at all) in order “to get back at” the original attackers.

    It’s like if Jonathan Swift would have been killed by an Irish sword after publishing “A Modest Proposal,” English reactionaries would have probably responded in kind by actually eating Irish children.

  2. Hallick says:

    After seeing the news about Taylor Negron’s death just now, the first thing that came to mind was this lovely memorial he wrote for Catherine Davis a couple of years ago. RIP Taylor (wait, crap, that reads bad…):

    http://www.xojane.com/it-happened-to-me/catherine-davis-murdered-by-sons-of-anarchy-actor-johnny-lewis

  3. leahnz says:

    oh my gosh what a sad post hallick (not in the ‘thanks a LOT Brenda Bummer!’ way but the ‘let me go cuddle my kittie, tell my friends i love and appreciate them, and be grateful for every moment of good health’ way)

    makes me think of a recent entry in the ‘silliest movie arguments’ files: which is sadder, the death of ‘Dog’ (whom i stubbornly think of/refer to as ‘dinky di’ in spite of that being the dog food, not the dog) in Max II (road warrior for US peeps) or the wolf ‘two socks’ in Dances with Wolves, cool canines of the highest order (obv there is no good/right answer, both their demises are horribly sad and amongst the most painful moments in their respective stories :'( )

  4. Pete B. says:

    Two Socks dying is why I’ve never watched Dances a second time.

    At least Max (like John Wick) gets some payback.

  5. leahnz says:

    “Two Socks dying is why I’ve never watched Dances a second time.”

    me too, i can’t stand it (except like an idiot i happened to watch it the other night with some people and it just made me feel sick, apparently it doesn’t get any easier)

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon