MCN Columnists

20 Weeks to Oscar By Laura Rooneylaura@moviecitynews.com

Nomination Reactions

“I am sitting in a coffee shop with my mum and just found out I have an Oscar nomination. Feeling very overwhelmed and just can’t believe it. Better pick out a gown.” – Sam Smith “I am in London and just heard the good news! We gave it our all on this film and this…

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20 Weeks To Oscar: Nomination Morning

This morning is what has been missing from this season so far… this was, in an instant, The Great Settling… which usually occurs in mid-December or so. Or as a director once said (it’s been attributed to so many), they didn’t finish Oscar nominations, they took them away. Another week or two and they could have changed again (by 10% – 20%… not completely).

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6 Weeks To Oscar: Parsing, Peak Award Season, and The Alleged Seven

We have all allowed the award season to become a gaping, hungry maw that leads to… the starting line. Which is insane, when you think about it. If we are at Peak Award Season Bullshit, let’s all get out the GPSes and plan a course for a change. The movies deserve it.

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8 Weeks To Oscar: Pretending We Know

Expect surprises on nomination morning… even if the biggest surprise ends up being that there are no surprises at all.

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10 Weeks To Oscar: Work It!

What movies seem like they are playing above their station this season? Room? Brooklyn? Spotlight? What do they share?

Hustle.

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11 Weeks To Oscar: Control Freak’s Lament

Candidates for awards are both artists and salesmen. The media covering the season is both a source of perspective and a source of myopia. The studios chasing awards are driven by both ego-driven vanity and earnest pride in the work to which they are parent.

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20W2O: 14 Weeks to Oscar

No matter how many times we go around this track, it gets weird at some point. It’s not like there is a bag of tricks and all you need to do for your film to get where you want is to repeat the same tricks… which is not to say that the same tricks don’t get endlessly repeated. But the subtle difference between a strategic choice that works and one that doesn’t is almost agonizing.

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15 Weeks To Oscar: The Tightest, Most Open Acting Races Ever?

This season, i have tried to stay out of the predicting circus tent as much as possible. Individual situations are individual stories. Gurus o’ Gold is Gurus o’ Gold. But with The Revenant debuting widely on Monday, The H8ful Eight rolling out already, and Joy to land sometimes after Thanksgiving, we’re almost there. And I guess it’s time for me to jump in with both feet.

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16 Weeks To Oscar: What Works

Three potential field-changers – The Revenant, Joy, and The H8ful Eight – loom out there, largely unseen. But even their stories are already written in many ways, waiting for rewrites as exposure to the light changes things to whatever degree it does.

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18 Weeks To Oscar: Why The Martian Is Currently The Movie To Beat

As I look down the barrel at this season, aiming at Best Picture, it is looking more and more like 2000 or 2006, when the Best Picture statue ended up going to the big, well-made, not terribly shocking, but very entertaining movie over a series of films that critics and “serious film people” liked better. Those two winners were Gladiator and The Departed.

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19 Weeks To Oscar: Season of Less

There were a lot of questions about the role of the festivals when Venice, Telluride, and Toronto didn’t offer the award explosion that media has been hyping into a frenzy for the last few years. In the lull between the end of the New York Film Festival and the Jolie-Pitt-driven opening night of AFI, it’s clear that there is more writing about awards, earlier in the season than ever… but a lot less to write about.

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20 Weeks To Oscar: 20 Weeks To Go

Oh, the lists are flying fast & furious now. It’s open season again. Many possibilities.

In honor of everyone and their brothers (all absolute experts, make no mistake), I will throw some stuff at the wall today, as we are now 20 Weeks To Oscar.

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23 Weeks To Oscar: The Less Things Change

An amazing thing happened at the festivals this last couple weeks…

Nothing.

Okay, perhaps nothing is an exaggeration.

But mostly, nothing.

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26 Weeks To Oscar: Resetting The Field For The Very First Time

It’s early in the awards season… movies come and go. Where do things lay for the Best Picture competitors after Toronto announced its line-up this week?

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30 Weeks To Oscar: Trailer Parade (20 Currently Available)

Here are all the trailers currently available – some domestic, some international, one just a clip – for films from the broad contenders list published Monday.

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30 Weeks To Oscar: Setting The Field

So our big list is already at 14. Let’s take it to 25 with titles with serious awards potential from major Oscar-playing distributors…

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48 Weeks To Oscar: Academy In Crisis(?)

The grass always seems greener on the other side. But it is not always the case. In the case of The Academy of Motion Picture Arts & Sciences, it is a sad story of insecurity, fear, oversized yet easily bruised ego, and a lack of perspective on itself.

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51 Weeks To Oscar

The Academy is acting like a supermodel who is deeply worried that her boyfriend is going to leave because she has a zit. And the answer is, men do leave supermodels. And that insecurity haunts the most beautiful and the most plain. But when you are going out there for the show, if people start noticing you are insecure, your career is over. When you are in public, you need to be all in, turned on, rocking the world because you “know” you have what everyone else wants.

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20 Weeks To Oscar… 3 Days Left

The irony of this moment is that with almost nothing left to say, the world’s media suddenly feels compelled to say EVERYTHING all at once.

Here’s the deal, as concisely as I can offer it…

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20 Weeks To Oscar: One Week Left

So the question… is it the failure of the system that there isn’t more clarity… or the genius?

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20 Weeks to Oscar

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon