Movie City Indie Archive for July, 2009

Trailering Whip It

Jonathan Glazer's latest video, The Dead Weather's "Treat Me Like Your Mother"



Men and women are sometimes known to disagree.

Jack Kerouac reads, with Steve Allen at the ivories

Via Coudal Partners.

A touch of the math: a reporter's wrong timing


Logistics awry followed by giggle…

Making music 'round the world: a video for Sour

SOUR / 日々の音色 (Hibi no Neiro) MV from Magico Nakamura on Vimeo.


Startlingly cute and complex. Directed by Masashi Kawamura, Hal Kirkland, Magico Nakamura and Masayoshi Nakamura. Bon jour, Michel Gondry! [Via Spike Jonze.]

Mary Louise Parker, milk, cookies, bedtime story

[PR] Entitling Michael Moore: Capitalism: A Love Story

Money worldwide
Michael Moore Unveils Title for New Film
Oscar®-winning filmmaker’s October 2nd Release a “Love Story” About Capitalism
(Beverly Hills, CA) July 8, 2009— Capitalism: A Love Story is the newly unveiled title of Oscar®-winner Michael Moore’s latest documentary feature. Overture Films will release the film domestically on October 2, 2009, and Paramount Vantage will handle international distribution. As previously announced, Moore will return to the issue that began his career: the disastrous impact that corporate dominance and out-of-control profit motives have on the lives of Americans and citizens of the world.
On why he chose to make a ‘love story,’ Moore stated that it was time for him to make a ‘relationship movie.’ “It will be the perfect date movie,” said Moore. “It’s got it all—lust, passion, romance, and 14,000 jobs being eliminated every day. It’s a forbidden love, one that dare not speak its name. Heck, let’s just say it: It’s Capitalism.”

Read the full article »

The opening 7:44 of The Hurt Locker

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Sets the tone; if you want to see the film fresh from start to finish, get thee to a cinema. {Registration required]

Capturing Reality: The Art of the Documentary

Capturing Reality: The Art of Documentary, from Canada’s National Film Board, is a film about contemporary documentary cinema and features leading lights of the field, including Albert Maysles, Errol Morris, Alanis Obomsawin, Michel Brault, Nick Broomfield, Kim Longinotto and Werner Herzog. Thirty-three filmmakers from 14 countries talk about the artistic and ethical choices they make in their craft. While the 97-minute film is on DVD with four additional hours of interview clips, much of it’s available on the neatly-designed website. Here’s Errol Morris on being born to babble, for instance. Here’s filmmaker Nettie Wild on “the first day on the job.”

One more reason it's hard to do satire these days


“That’s not how I’m wired! That’s not how I’m wired to operate! … The world needs more Trigs, not fewer.”

this is 606: a photo exhibition of "chicagoesque" images

Beauty
Bridge fog
Ten large photographic landscapes of Chicago, or “606,” open Friday, July 3 at The Architrouve in Chicago, 6-9-m. [Location and daily hours through August 2 here.] The set is drawn from the ongoing daily photographic project, “this is 606,” which is here.

Microsoft's bodily fluid ad for IE8


Bug or feature?

Are We There Yet?: 60 creepy seconds from Swedish McDonald's ad

Movie City Indie

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon