The Hot Blog Archive for February, 2007

A Valentine's Day Favorite

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Not Such A Scandal

When you gird your loins to sit with the people who conceived Notes On A Scandal, the novelist Zoe Heller and the screenwriter Patrick Marber, you wonder whether you should be watching your back. Razor sharp wits. Minds that have conceived some of the most cunningly brutal movie characters in recent years. And they both have those funny accents!
and…
Alan Arkin really doesn’t want to be here. He knows the name of every employee of the restaurant at the Four Seasons. He talks to them like an old friend. He is kind and honorable. But does he really want to be in Beverly Hills doing yet another interview? Not really.

The rest…

Size Does Matter

From the Oddly Subject-Lined E-Mail Collection –
SUBJECT: BLACK SNAKE MOAN : SAMUEL L. JACKSON : LIMITED EDITION 7-INCH
More detail after the jump…

Read the full article »

4 Comments »

How To Drive People Away From 300

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24 Comments »

Slow Monday

Just adding a Mac to repertoire… brave new world…
The quiet is growing… any minute now, someone will be accusing someone of something.
In the meanwhile, please feel free to use this space to fight amongst yourselves

24 Comments »

The Billy Wilder Theater

I was fortunate enough to be at the brand new Billy Wilder Theater at the Armand Hammer Museum here in L.A. on Friday night for the kick-off screening of The Apartment, one of my very favorites from one of my very favorite directors.
It’s always a treat to see a classic on a big screen. I don’t think I had ever seen this one on a screen before. Even better, the presence of co-star Shirley MacLaine and producer Walter Mirisch was a special treat… even better than the hot pink seats and curtain.
MacLaine was very charming and funny in the post-film Q&A. The most interesting conflict between her and her producer was that, as far as she knew, the film started shooting with just 26 pages of script, with Wilder and IAL Diamond writing the rest along the way. After much hypothesis about why this was the case, Mirisch explained, “There was more of the script already written than you knew about.” MacLaine almost had a fit, as though she was still that 25 year old on the set, realizing after 48 years that she

8 Comments »

Two Times The So What!

You know, I am thrilled for William Monahan and Michael Arndt and Amy Berg. WGA wins couldn

12 Comments »

If The News Fits… Change It

If Vanity Fair scurrilously called you a gossip when you believed that your gossip sheet was somehow serious journalism, what would YOU do?
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Before, in Vanity Fair
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After, on Deadline Hollywood Daily
See how easily, if shoddily, the truth is manipulated?
Are you terrified yet?

3 Comments »

The So Beautiful Season

Adam Gopnik wrote a piece in January 8, 2007 edition of The New Yorker titled, The Unbeautiful Game. It was about the issue of football stats and why they haven

9 Comments »

The Ugly Awards

With few exceptions, the most unpleasant set of celebrity photos ever to appear in the New York Times.
Really.
I usually love the photos in the Times, but… how did the personal publicists let Penelope Cruz look like she has an acne problem? How did Peter O

18 Comments »

Sunday Estimates by Klady

Wow

20 Comments »

Klady's Friday Estimates

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4 Comments »

What Really Happened?

It’s almost as though trends are now happening en masse. Today, I ran into the following headline on the AP wire…
KILL: Astronaut movie story – one hour ago
The content of the link was

Oh Yeah…

I forgot one line from the Publicist’s Guild luncheon that might asume some.
Geirge Lucas, giving the award to Sid Ganis, who was the in-house publicist on Star Wars: Episode Five – The Empire Strikes Back, said, “Sid is the reason why The Empire Strikes Back is always written about as the best of the films, when it actually was the worst one.”
Hmmm….

44 Comments »

The Hot Blog

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon