Awards Archive for October, 2007

An Oscar Lock?

It seems that the smart folks at Fox Searchlight did qualify the short, Hotel Chevalier, for Oscar before releasing the film on iTunes.
And so the question… how could the film not be nominated? And how could it not win? There are often some terrific shorts out there, but Wes Anderson did the best work of his year in this short… and he is one of our most talented, even when at his most self-indulgent.

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Next Academy DVD…

Guess…
Come on…
Guess…
The quote on the letter in the package…
“A cultural event. It feels like one of the key movies of the era…”
Guess…
Okay… you give up…
Find the answer after the jump.

Read the full article »

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Next DVD In The Mailbox

Paramount Vantage follows Searchlight’s early lead (The Namesake, Once, Waitress) with A Mighty Heart, which started landing on Friday.
Next Up… La Vie En Rose? Ratatouille? Hairspray? Resurrecting the Champ?

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Will The Academy Kill Lars

Word is that the AMPAS committee that sets official screenings has taken a pass on Lars & The Real Girl, the Toronto Film Fest phenom starring Oscar nominee Ryan Gosling. This call could well be the beginning of the end for any Best Picture Oscar hopes for this film, which gets a great reaction from audiences who see it and real resistance to the premise from people who have not. A poorly attended official Academy screening can be as bad as none at all… but for a small indie-level release, that foot in the door means a lot.
Of course, good box office momentum, starting with this weekend

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Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon