Awards Archive for February, 2009

The Weekend That Was

Things have changed a lot over the years

4 Comments »

More Slumavation

ACE Awards…
BEST EDITED FEATURE FILM (DRAMATIC):
SLUMDOG MILLIONAIRE
Chris Dickens
BEST EDITED FEATURE FILM (COMEDY OR MUSICAL):
WALL-E
Stephen Schaffer
BEST EDITED DOCUMENTARY:
Man on Wire
Jinx Godfrey
STUDENT EDITING COMPETITION
Junna Xiao

1 Comment »

Slumdog Wins Another Award… Shocker, Huh?

Los Angeles 14 February 2009

33 Comments »

BAFTA As Predictor

I don’t want to spend too much time on this, but…
All four acting slots that won BAFTA the last two years won Oscars.
In both of those last two years, only one of the four slots was really a surprise of any kind… Tilda last year and Alan Arkin the year before. Huzzah – even though guessing the Oscars is not really the point – for them.
Before that, they were about .500 predicting acting wins.
No other categories are reliable in any way.
Thank you for your momentary attention.

4 Comments »

Images From A Season

fincherbafta.jpg
I was really struck by a quick reaction shot of David Fincher at BAFTA yesterday… his face seemed to say it all… “how did we become an also-ran?”…
Thing is, Fincher and everyone at Paramount has been nothing but gracious as the year that was supposed to be theirs became the Year of the ‘Dog. In the end, there is nothing more (or less) that they could have done. In the end, in this year as in almost every other one, it is the movies that guide the awards’ final destination. And for all the magnificent craft of BB, it seems the awards world’s heart belongs to Danny.
Sigh…

12 Comments »

BAFTA Has Spoken…

Okay… here is a list of winners
I will comment – 100% SPOLIERS – after the jump…

Read the full article »

27 Comments »

BAFTA Rolls Along…

The Guardian is live-blogging the event from inside the theater.
Oh, how I hate live-blogging.
It’s funny… when I talk to people about Blu-ray BD-Live features, like IMing during a synced movie, they almost always get a vomitty look on their face. But for me, I consider that in that case, kids have almost invariably seen the film over and over again on the Blu-ray or regular DVD and that the interaction is, indeed, of some value. Like a director

2 Comments »

Gus van Sant Shoots Dustin Lance Black For Vogue Paris pour Hommes

milkvogue2.jpg
The awards season brings out the weird in many people.
How I came to end up with a copy of what purports to be the Fall/Winter edition of Vogue Hommes International with a photo shoot that Gus van Sant shot and Dustin Lance Black posed for in various states of dress and undress is really not the point.
But to the studio that feels slammed and endangered by the images in this profile, written by Bruce Benderson and Philippe Garnier, it is a low blow meant to derail their movie

11 Comments »

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon