Awards Archive for January, 2011

20 Weeks Extra: Could There Be One More Turn?

While there is a narrative out there that The King’s Speech is the next Ordinary People, there are three big problems with the claim. First, there is the perception of groupthink inside The Academy that is wildly overstated and oversimplified. Second, if The Academy thought like that – “we screwed up before.. let’s fix it!” – they would have nominated more commercial product last year after The Dark Knight was the alleged reason for the move to 10 nominees. Third, what is the Raging Bull of this season? I would say that it’s pretty clear that there is none.

Perhaps your comparison is Rocky winning over Network, All The President’s Men, Taxi Driver, and Bound For Glory.

The full column

12 Comments »

Gurus Go Regal


With 9 of the 15 Gurus voting so far, every single one is picking The King’s Speech for the win…

7 Comments »

DGA

It’s been one of those crazed, computerless days.

I’m not shocked by the nominations. No, it’s not good for True Grit‘s Best Picture winning odds. You have to go back to 2001 and 1999 to find DGA Achievement In Motion Pictures winners whose films didn’t win Best Picture (Crouching Tiger, Hidden Dragon and Saving Private Ryan)… and in both cases, the Best Picture winner was one of the other nominees.

I would say that Fincher is a stone lock to win this award.

15 Comments »

Welcome To The Future

I am thrilled to see that Fox Searchlight and FFE are moving into the future, to sanity, by making their movies digitally available to the biggest of the guilds, SAG, and their 100,000 awards voting members.

I was stunned by all the whining, back when January was floated for 2012, about how digital was not viable. It is completely viable. And devices that go to your television set with HD versions of these films should become the norm in 2011/12. It’s better for everyone.

Digital delivery can make the awards themselves better, as the excuses about not allowing documentaries and foreign language films to be voted on like the rest of the films can finally be overcome. Screeners want to be free!!! (ha ha) But seriously, there can be more films available to voters in higher quality in more quantity and when the voting period ends, the movies go away. (On screeners this year, there are a lot of unrealistic prompts about destroying screeners when the season ends.)

Now if I can only get on that list with Searchlight to download these movies!!!!

3 Comments »

8 Weeks To Oscar: It’s Getting Serious

The column

3 Comments »

WGA

One real surprise… I Love You Phillip Morris

And in doc, the Nilsson getting a nom after being in the desert for 3 years is a pleasant surprise.

Original Screenplay
Black Swan
The Fighter
Inception
The Kids Are All Right
Please Give

Adapted Screenplay
127 Hours
I Love You Phillip Morris
The Social Network
The Town
True Grit

Documentary Screenplay
Enemies of the People
Freedom Riders
Gasland
Inside Job
The Two Escobars
Who Is Harry Nilsson (And Why Is Everybody Talkin’ About Him)?

3 Comments »

PGA

Obviously.

127 Hours and The Town are not all the way over the hump. Everyone else is, it would seem.

Is there anything else to say?

DGA Nominees to come…

Fincher, Coens, Aronofsky, Nolan, Russell

Could flip Russell for Boyle or Cholodenko. Real surprise would be Affleck or Tom Hooper.

2 Comments »

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon