Movie City News Archive for January, 2011

Bill Murray Heckles

Bill Murray Heckles

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21st Century Angry Birds

21st Century Angry Birds

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Trailering Aaron Katz’s Cold Weather

Trailering Aaron Katz’s Cold Weather

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From Billy Elliot To Elton Biopic

From Billy Elliot To Elton Biopic

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Back To The Future With Pixar And Apple

Back To The Future With Pixar And Apple: Did Steve Jobs Test-Drive The IPad In Incredibles?

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Whit Stillman Takes Los Angeles

Whit Stillman Takes Los Angeles

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Alfred P. Sloan Award To Another Earth

Alfred P. Sloan Award To Another Earth

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ALFRED P. SLOAN FEATURE FILM PRIZE AWARDED TO MIKE CAHILL’S ANOTHER EARTH

For Immediate Release Sundance Institute/Alfred P. Sloan Commissioning Grants and Lab Fellow Also Announced Park City, UT, January 28, 2011 – Sundance Institute today announced that Another Earth, directed and written by Mike Cahill and written by Brit Marling,  is the recipient of the 2011 Alfred P. Sloan Feature Film Prize at this year’s Sundance Film…

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Christoph Waltz And The Solid Suit

Christoph Waltz And The Solid Suit

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FOCUS FEATURES ACQUIRES WORLDWIDE RIGHTS TO PARIAH

FOCUS FEATURES ACQUIRES WORLDWIDE RIGHTS TO PARIAH, DEBUT FEATURE FROM WRITER/DIRECTOR DEE REES, EXECUTIVE-PRODUCED BY SPIKE LEE; DRAMA WORLD-PREMIERED AT THIS YEAR’S SUNDANCE FILM FESTIVAL NEW YORK, January 28, 2011 – Focus Features has acquired worldwide rights to the contemporary drama Pariah, the debut feature from writer/director Dee Rees. Pariah world-premiered In Competition this past week at the…

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Average Movie Ducats At All-Time High

Average Movie Ducats At All-Time High

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James Cameron Has Decided To Tweet Because Ryan Seacrest Told Him To

James Cameron Has Decided To Tweet Because Ryan Seacrest Told Him To

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The 16 Worst Ways To Be Killed By Jason Statham

The 16 Worst Ways To Be Killed By Jason Statham

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Sorrentino Talks About His Death Wish Monograph And The Idea Of The “New York Film”

Sorrentino Talks About His Death Wish Monograph And The Idea Of The “New York Film”

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Pride Tries To Figure Why Some Oscar-Nominated Perfs Bug Him Mightily

Pride Tries To Figure Why Some Oscar-Nominated Perfs Bug Him Mightily

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Lantos Sez Barney’s Version Nom For Makeup No Accident; Lobbying Was “Ongoing”

Lantos Sez Barney’s Version Nom For Makeup No Accident; Lobbying Was “Ongoing”

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NEW VIDEO ACQUIRES DAVID SINGTON’S 2011 SUNDANCE ENTRY, “THE FLAW,” FOR MULTI-PLATFORM RELEASE

New York, NY – January 27, 2011 – New Video, a leading independent film and TV distributor, announced today that the Company has acquired THE FLAW (www.theflawmovie.com) for release across DVD, Cable VOD and digital distribution platforms, with plans for a limited theatrical run. THE FLAW (www.theflawmovie.com), a new documentary directed by British filmmaker David…

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CHERIEN DABIS WINS 2011 SUNDANCE/NHK INTERNATIONAL FILMMAKER AWARD

For Immediate Release, January 28, 2011 WHAT: Sundance Institute and NHK (Japan Broadcasting Corporation) have announced Cherien Dabis, director of May in the Summer, as winner of the 2011 Sundance / NHK International Filmmaker Award. Originally created to celebrate 100 years of Cinema, the annual award recognizes and supports a visionary filmmaker on his or…

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The Future Is By The Roadside

The Future Is By The Roadside And – Motion Film Group Travels Gun Hill Road Plus – Pariah In Focus

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Schrader Flagging Taxi Driver Digital Restoration For Berlin

Schrader Flagging Taxi Driver Digital Restoration For Berlin

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon