Movie City News Archive for September, 2011

VOICE Media Layoffs Hit OC Weekly, SF Weekly; LA Weekly Next?

VOICE Media Layoffs Hit OC Weekly, SF Weekly; LA Weekly Next?

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Blockbuster High-Sticks Final 253 Canuck Outlets

Blockbuster High-Sticks Final 253 Canuck Outlets

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James Cameron Sleeps With The Alexas

James Cameron Sleeps With The Alexas (In 3D!)

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The Most Complete (Yet Incomplete) Accounting Of The Making And Unmaking Of Margaret (2005-2011), From 2009

The Most Complete (Yet Incomplete) Public Accounting Of The Making And Unmaking Of Margaret (2005-2011), From 2009

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O’Hehir On Lonergan’s Margaret

“A work of enormous ambition, a clear effort to make the great post-9/11 New York City movie about death and love and guilt and repentance and family and other big ungainly things. It was a foolish thing to try to do… It’s like the ugly but brilliant orphan abandoned behind the staircase in some sub-Dickensian…

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Foer Consideration: Trailering Extremely Loud And Incredibly Close

And – Foer Consideration: Trailering Extremely Loud And Incredibly Close

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Lynda Obst Sees Legacy In Bridesmaids

Lynda Obst Sees Legacy In Bridesmaids

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PA3 Goes VHS-Viral At Fantastic Fest

PA3 Goes VHS-Viral At Fantastic Fest

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SPC Acquires TIFF Audience Choice Where Do We Go Now?

SPC Acquires TIFF Audience Choice Where Do We Go Now?

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SONY PICTURES CLASSICS ACQUIRES TIFF’S 2011 CADILLAC PEOPLE’S CHOICE AWARD WINNER WHERE DO WE GO NOW?

FOR IMMEDIATE RELEASE NEW YORK (September 28, 2011) – Sony Pictures Classics announced today they have acquired all US rights to Nadine Labaki’s WHERE DO WE GO NOW? from Pathé International.  Produced by Anne-Dominque Toussaint of Les Films des Tournelles, WHERE DO WE GO NOW? won the Cadillac People’s Choice Award at the 2011 Toronto International…

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Richard Brody On Ebert’s Memoir

Richard Brody On Ebert’s Memoir

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Times Square Sets $27 Million Redo In “Film Noir” Fashion

Times Square Sets $27 Million Redo In “Film Noir” Fashion

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Good Dr. Bordwell On Ebert’s “Memory Palace”

Good Dr. Bordwell On Ebert’s “Memory Palace”

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“Five animators nominate their favourite living artist in their field”

“Five animators nominate their favourite living artist in their field”

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The DVD Wrapup: Transformers, Angel of Evil, Dumbo, Viva Riva!, Phantom Carriage, The Stool Pigeon, Hung, Kojak …

Transformers: Dark of the Moon: Blu-ray The third installment in the “Transformers” franchise, “Dark of the Moon,” locates the decisive battle for the preservation of mankind in downtown Chicago. The Windy City residents have experienced seen more than their fair share of disasters since Mrs. O’Leary’s cow kicked over the lantern that triggered the Great…

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WOMEN IN FILM FOUNDATION ANNOUNCES 26TH ANNUAL FILM FINISHING FUND RECIPIENTS

LOS ANGELES, CA,  September 28, 2011 – Today, Women In Film’s Finishing Fund co-chairs Betsy Pollock and Nancy Rae Stone announced the recipients of the Foundation’s 26th Annual finishing fund grant program. They were chosen from a total of 113 submissions, made up of 71 Documentaries (41 features and 30 shorts) and 41 Narrative Films…

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S. Korean Video Busybodies Seek Bounty For Spying On Neighbors

S. Korean Video Busybodies Seek Bounty For Spying On Neighbors

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Bloomberg On NewsCorp’s iPad Gazette, The Daily: Claims “Uniques” Size Of The Toledo Blade

Bloomberg On NewsCorp’s iPad Gazette, The Daily: Claims “Uniques” Size Of The Toledo Blade

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Booth School: Teaching Doc Films’ Volunteer Projectionists The 35mm Way

Booth School: Teaching Doc Films’ Volunteer Projectionists The 35mm Way

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Okay, Okay. Tell Me More.

“A pregnant Charlotte Gainsbourg runs her fingers across her bump, which is encased in cashmere and discreetly wedged behind the table of a Paris hotel bar. She is trying to work out what her children might hate her for.” Okay, Okay. Tell Me More.

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon