Movie City News Archive for October, 2011

Some Like It Marilyn, Again

Some Like It Marilyn, Again

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Dennis Harvey On Two Decades Of Twin Peaks

Dennis Harvey On Two Decades Of Twin Peaks And – Richard Beymer’s On-Set Stills

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Warner Withholds Product From Blockbuster

Warner Withholds Product From Blockbuster While – Studios Consider 60 Days Before Redbox, Netflix Rentals

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The Electronic Frontier Foundation On The Perilous And Pernicious New “Internet Death Penalty”

The Electronic Frontier Foundation On The Perilous And Pernicious New “Internet Death Penalty”

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Adrian Martin On The Uses Of Sadness In Film And The World

Adrian Martin On The Uses Of Sadness In Film And The World

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Wilmington on Movies: The Rum Diary

The Rum Diary (Three Stars) U.S.: Bruce Robinson, 2011   The movie The Rum Diary, which I liked, is based — loosely, but that’s all right — on the novel that Hunter S. Thompson wrote when he was 22, a young guy, before “Hell’s Angels,” before “Fear and Loathing in Las Vegas,” before “The Great Shark…

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Frank Rich On Pauline Kael

“She fired up her exultantly vernacular American prose as if she were writing high-octane fiction, not passing judgment on Cabaret.” Frank Rich On Pauline Kael And – Louis Menand’s 1995 NYRB Essay On The “Promiscuity” Of Her Attentions Plus – Renata Adler’s Notorious 1980 Shakedown Of Kael, Cited By Rich

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Friday Estimates: October 28, 2011

Puss In Boots delivers a decent off-season number for an animated film, winning the weekend, but not setting off fireworks. Modest launches for In Time and The Rum Diary. Paranormal Activity, taking an outsized hit vs last Friday’s numbers, is holding surprisingly well. And DW’s Real Steel takes a punch badly for the first time, probably at the hands of DWA’s Puss.

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Ron Rosenbaum’s “10 Things I Hate About Anonymous And The Stupid Shakespearean Birther Cult Behind It”

Shaks. Smear? “To remain silent in the face of stupidity this blatant is to acquiesce to a kind of culture-destroying ugliness.” Ron Rosenbaum‘s “10 Things I Hate About Anonymous And The Stupid Shakespearean Birther Cult Behind It”

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Justin Time: Timberlake Tracked For Coen Bros’ 60s Folk Music Tuner

Justin Time: Timberlake Tracked For Coens’ Folk Music Tuner

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Citing Profit Issues, Netflix Won’t Expand To Spain In 2012

Citing Profit Issues, Netflix Won’t Expand To Spain In 2012

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Creating Reality With Errol Morris

Creating Reality With Errol Morris

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Justin Bieber Wants To Jail Amy Klobuchar, A Sponsor Of The “Stop Online Piracy” Act

Justin Bieber Wants To Jail Amy Klobuchar, A Sponsor Of The “Stop Online Piracy” Act

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One More BritWit Takes A S—: Guardian Showcases Its Fourth Tintin Takedown

“Not just a failure; it is an assault on a great body of art so thuggishly moronic as to make one genuinely depressed.” One More BritWit Takes A S—: Guardian Showcases Its Fourth Tintin Takedown

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David Lynch On His Exhibition Blending Mathematicians And Artists

David Lynch On His Exhibition Blending Mathematicians And Artists

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Casting Its Net Overseas, Can B’wd Keep Its Heart?

Casting Its Net Overseas, Can B’wd Keep Its Heart?

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Philip Seymour Hoffman On Moody Youth

Philip Seymour Hoffman On Moody Youth

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California State Media Psychology Prof On Why Some People Are Just More Afraid Of Scary Movies Than Other People

California State Media Psychology Prof On Why Some People Are Just More Afraid Of Scary Movies Than Other People

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Swashing The Buckle On The Big Screen

Swashing The Buckle On The Big Screen

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VOD Streamer Zediva To Pay 6 Studios $1.8 Million And Cut It Out

VOD Streamer Zediva To Pay 6 Studios $1.8 Million And Cut It Out

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon