Movie City News Archive for November, 2011

Gotham Noms For Beginners Remind That Mike Mills Is A Happy Kinda Guy

Gotham Noms For Beginners Remind That Mike Mills Is A Happy Kinda Guy

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Prints From “Stanley Kubrick’s New York” On Sale For First Time

Prints From “Stanley Kubrick’s New York” On Sale For First Time

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Fincher, WIRED

Fincher, WIRED

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Tribeca Takes New Artistic Director

Tribeca Takes New Artistic Director

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TRIBECA FILM FESTIVAL NAMES FREDERIC BOYER ARTISTIC DIRECTOR

FOR IMMEDIATE RELEASE Veteran Leader of Cannes Film Festival’s Directors’ Fortnight Arrives As TFF Starts Preparations For 11th Edition in April 2012 New York, NY (Nov. 28, 2011) – The Tribeca Film Festival (TFF) announced today that Frederic Boyer, a veteran executive who most recently ran the Directors’ Fortnight at the Cannes Film Festival, has…

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Dennis Lim Obits Ken Russell

“I believe in what I’m doing wholeheartedly, passionately, and what’s more, I simply go about my business. I suppose such a thing can be annoying to some people.” Dennis Lim Obits Ken Russell

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KEN RUSSELL WAS 84

KEN RUSSELL WAS 84

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“Ken Russell was a larger-than-life character who was one of the most controversial directors in British cinema.”

“Ken Russell was a larger-than-life character who was one of the most controversial directors in British cinema.”

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“Before that he was a sane, likeable TV director. Now he’s an insane, likeable film director.”

“Before that he was a sane, likeable TV director. Now he’s an insane, likeable film director.”

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An AP Obit Of Mr. Russell

An AP Obit Of Mr. Russell

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The BFI Bio Of Ken Russell

The BFI Bio Of Ken Russell And – Iain Fisher’s “Savage Messiah” Site

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“Spider-Man” At One Year: Turn On The Ca$h

“Spider-Man” At One Year: Turn On The Ca$h

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Hard-Luck Kid Terry Gilliam Turns 71

“I believe in the things I make. The fact that God doesn’t want me to make them is beside the point.” Hard-Luck Kid Terry Gilliam Turns 71

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Hugo Sparks Méliès Drama

Hugo Sparks Méliès Drama

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Spielberg Sez Not Many Good Movies Made Anymore

“There’s not a lot of films I’d watch that are made over the past 20 years, because I’m much more of a romantic.” Spielberg Sez Not Many Good Movies Made Anymore

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20W2O Special: New York First! Film Critics Circle Get Tattooed

“Real” critics groups should not be in the role of negotiating screenings or demanding anything from the studios of film producers. The idea of NYFCC being a proactive player in the awards season, positioning itself to be FIRST! and presuming that studios will follow is a business call, not a show call. And though many of us write about the business in the course of being critics – certainly too much these days… mea culpa – if there is any time that calls for a pure “show” mindset, it’s year-end awards.

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H’wd Labor Tangle Likely Over Waning Benefits?

H’wd Labor Tangle Likely Over Waning Benefits?

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“Maybe what Segel’s film shows us is that Henson and Frank Oz, the puppeteers extraordinaire who through their voices and hands gave so many of these characters their spirit, are irreplaceable.”

“Maybe what Segel’s film shows us is that Henson and Frank Oz, the puppeteers extraordinaire who through their voices and hands gave so many of these characters their spirit, are irreplaceable.”

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TribCo Creditors Set To “Claw Back” Even Smallest Past Investors In Co.

“What seems grossly unfair is there doesn’t seem to be any adult supervision looking out for the average investor like myself. You have unemotional, ruthlessly efficient and litigious investors attempting to extract whatever they can from whomever they can.” Bankrupt TribCo’s Creditors Set To “Claw Back” Bucks From Even Smallest Past Investors

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Together Again For The Very First Time! Weinstein Meets Cieply!

“He is playing to the movie industry’s wobbly sense of self, exactly at a time when it is fretting about declining attendance, weak economics and constant pressure from other media.” Together Again For The Very First Time! Weinstein As Seen By Cieply! And – “I told my girls that I have a weakness for movies about…

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon