Movie City News Archive for February, 2012

ERLAND JOSEPHSON WAS 88

ERLAND JOSEPHSON WAS 88

Read the full article »

The Weekend Report, February 26, 2012

Oscar went bump in the night as the mockuventure Act of Valor ascended to the top of the weekend ticket charts with an estimated $24.7 million. Runnerup was another freshman _ Good News from Tyler Perry _ with $15.6 million. Further done the list the comedic Wanderlust bowed to a disappointing $6.6 million and the thriller Gone went missing with $4.8 million.

In the niches the hockey antics of Goon grossed a solid $1.1 million in Canada while a trio of Indian imports failed to shake up that sector of domestic box office. Exclusive starter were largely inert save for the controversial Albanian drama The Forgiveness of Blood that opened to $29,700 at three venues.

This weekend’s projection is up 23% from last year.

Read the full article »

Jack And Jill Climbs Up Razzies With 12 Noms In Only 10 Categories

Jack And Jill Climbs Up Razzies With 12 Noms In Only 10 Categories; Sandler Gets 11 Noms All To Himself

Read the full article »

GROSS BEHAVIOR

Now, let’s consider a film financed, written and developed in France that stars two French actors and was shot, edited and scored by French folk. It’s called The Artist and on Friday was named best French film of the year at the Cesars in Paris. And, believe it or not, on Saturday was cited as the quintessence of American independent cinema by the Spirit Awards.

What makes The Artist soooo American?

Read the full article » 1 Comment »

Turan Sez The Artist Must Win

Turan Sez The Artist Must Win

Read the full article »

Sasha Frere-Jones On Why Academy Tuned Out Drive’s Score

Sasha Frere-Jones On Why Academy Tuned Out Drive‘s Score

Read the full article »

Ron Rosenbaum Sez Errol Morris Is The “Thinking Man’s Detective”

Ron Rosenbaum Sez Errol Morris Is The “Thinking Man’s Detective”

Read the full article »

Howard Kissel, 69, Longtime Critic For Daily News, Onetime Chair Of NY Film Critics Circle; Played Woody’s Manager In Stardust Memories

Howard Kissel, 69, Longtime Critic For Daily News, Onetime Chair Of NY Film Critics Circle; Played Woody’s Manager In Stardust Memories

Read the full article »

Havens Handicaps Oscar With A Stack O’ Stats

Havens Handicaps Oscar With A Stack O’ Stats

Read the full article »

The Chicago Factory Where Oscar Is Made Fights For Its Life

The Chicago Factory Where Oscar Is Made Fights For Its Life

Read the full article »

Emerson On The Artist: “Everybody Loves/Hates A Frontrunner”

Emerson On The Artist: “Everybody Loves/Hates A Frontrunner”

Read the full article »

The 2012 Spirits Winners

Oh, there’s this little film called The Artist?

Read the full article »

A Competition For Stars Who Have Done Least For Human Rights

A Competition For Stars Who Have Done Least For Human Rights

Read the full article »

Spirits Raise The Artist

Spirits Raise The Artist; Write Up Payne; Let The Interrupters Speak

Read the full article »

The Artist: Capitalist; Hugo: Spiritual

“Scorsese sees cinema’s history as equally intertwined with world history and personal history; it is a means to connect and interpret the world, even to help one define oneself existentially. His cinephilia is inextricably part of his identity and how he relates to the world. It is not simple film-geekery but rather a part of…

Read the full article »

Charles McNulty’s Meryl Streep Problem

Charles McNulty‘s Meryl Streep Problem

Read the full article » 1 Comment »

“A Few (One Hopes Final) Thoughts On The Autumn Of Pauline Kael”

“A Few (One Hopes Final) Thoughts On The Autumn Of Pauline Kael”

Read the full article »

CBS News On The Evolution Of Film Trailers, In Four Minutes

CBS News On The Evolution Of Film Trailers, In Four Minutes

Read the full article »

The Hw’d Red Carpet “Pay List”

The Hw’d Red Carpet “Pay List”

Read the full article »

Dmitri Nabokov, 77, Spent Life In Competition With Father, Vladimir

Dmitri Nabokov, 77, Spent Life In Competition With Father, Vladimir

Read the full article »

Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon