Movie City News Archive for April, 2012

Kaplan Test Prep’s Slate Tweets NYT’s Elder-To-Soldiers Piracy Tale #beststoryever

And – Kaplan Test Prep’s Slate Tweets NYT’s Elder-To-Soldiers Piracy Tale #beststoryever

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Working Title Duo Contract Through 2015 With Universal

Working Title Duo Contract Through 2015 With Universal

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Wilmington on Movies: Headhunters

Slick and fast and gorgeously shot—if sometimes almost criminally over-the-top.

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Review: The Five-Year Engagement

The successful rom-com never overestimates its own charms – or the charms of its superstar leads, for that matter. Rather than resting on their laurels, Segel and Stoller take inspiration from the best of the genre. They turn to the gags and goofiness of “There’s Something About Mary,” the darkness, neediness and commitment-phobia of “Eternal Sunshine of the Spotless Mind,” the sheer buffoonery of “Forgetting Sarah Marshall,” and the earnest poignancy of “Until Sunrise” to form a story that’s at once heartfelt and packed to the brim with hearty laughs.

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The Atlantic Queries, “Are Indie Movies Getting Too Pretty?”

“This post originally stated the RED Camera was made by Sony. We regret the error.” The Atlantic Queries, “Are Indie Movies Getting Too Pretty?” And – The Baffler On The Latterday “Omniscient Gentlemen” Of The Atlantic’s Electronic Enterprise

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Note Made Of Tribeca Film Festival Partner Brookfield Office Properties And Its Anti-Occupy, Anti-First Amendment Activities

“The price of corporate sponsorship shouldn’t be silence, but really an opportunity for greater engagement.” Note Made Of Tribeca Film Festival Partner Brookfield Office Properties And Its Anti-Occupy, Anti-First Amendment Activities And – Tribeca Announces Award Winners And Cash Prizes

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When David Carr Met Todd Solondz In Sarasota

“When it gets time to sort of get the funding together and direct people do you, like, sprout another head and suddenly turn into an —hole?” When David Carr Met Todd Solondz In Sarasota

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Remembering Longtime Film Quarterly Editor And “Ecotopia” Author Ernest Callenbach

Remembering Longtime Film Quarterly Editor And “Ecotopia” Author Ernest Callenbach

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Ben Fritz Of The Times Considers What’s At Stake At Disney

Ben Fritz Of The Times Considers What’s At Stake At Disney

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Brooks Barnes Of The Times Considers What’s At Stake At Disney

Brooks Barnes Of The Times Considers What’s At Stake At Disney

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2012 TRIBECA FILM FESTIVAL ANNOUNCES AWARDS

For Immediate Release WAR WITCH, THE WORLD BEFORE HER, UNA NOCHE AND WAVUMBA WIN TOP AWARDS IN JURIED WORLD COMPETITIONS * * * FESTIVAL AWARDS $180,000 IN CASH PRIZES [April 26, 2012 – New York, NY] – The 11th annual Tribeca Film Festival, co-founded by Robert De Niro, Jane Rosenthal and Craig Hatkoff, and presented…

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With Additions By Arizona Rep. Quayle, House Makes CISPA Internet Surveillance Dragnet Bill Even Worse

With Additions By Arizona Rep. Quayle, House Makes CISPA Internet Surveillance Dragnet Bill Even Worse

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Lindy West’s “Complete Guide To ‘Hipster Racism'”

Lindy West‘s “Complete Guide To ‘Hipster Racism’”

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Is Crossmedia Film’s Next Wave?

At the forefront of one of the film narrative’s many reinventions is a next wave of software developers, gamers, filmmakers, writers and composers; a confluence of independent talent dedicated to creating entertainment which employs a variety of mediums and crosses all media platforms, in order to create immersive story experiences for the general public. Think Steve Jobs meets James Cameron, who meets Joe Papp, Wolfgang Amadeus Mozart and then Maya Deren. Together…

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Jenna Fischer On Falling In Love And Life Sounding Like A Movie

Jenna Fischer On Falling In Love And Life Sounding Like A Movie

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Don Hoberman On Don Luis Buñuel

Don Hoberman On Don Luis Buñuel

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So How Does A Music Documentary Clear 132 Music Cues? The Wrecking Crew’s Been Asking Since 2008

So How Does A Music Documentary Clear 132 Music Cues? The Wrecking Crew’s Been Asking Since 2008

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THE FILM SOCIETY OF LINCOLN CENTER ANNOUNCES PAST AND PROLOGUE: THE FILMS OF RIDLEY SCOTT

FOR IMMEDIATE RELEASE New York, NY (April 26, 2012) — The Film Society of Lincoln Center announced today a complete retrospective of three-time Oscar-nominee Ridley Scott, whose career began in the 70’s and who has continued to excite and enchant audiences with his remarkable storytelling ability. The retrospective will run from May 25 – June…

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The Welshman Who’s Jump-Started Modern Indonesian Filmmaking

The Welshman Who’s Jump-Started Modern Indonesian Filmmaking

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Sane Sissy Spacek

Sane Sissy Spacek

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon