Movie City News Archive for May, 2012

Brody Reports 86-Year-Old Claude Lanzmann’s Next Film Is About The Moral Responsibility Of Jews Who Worked In Death Camps

Brody Reports 86-Year-Old Claude Lanzmann’s Next Film Is About The Moral Responsibility Of Jews Who Worked In Death Camps

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Wilmington on DVDs: We Need to Talk About Kevin

Certainly Kevin is at his cutest when he finally listens to Eva, as she reads him the tale of Robin Hood, champion Saxon archer — and his father, whom Kevin plays like a bassoon, later buys him a bow and arrow, and he becomes a crackerjack archer, who can always hit his target.

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Anderson On Women And The “Invisible Art” Of Editing

Anderson On Women And The “Invisible Art” Of Editing

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SONY PICTURES CLASSICS SETS DECEMBER 19 RELEASE FOR PALME D’OR WINNER AMOUR

NEW YORK (May 29, 2012) – Sony Pictures Classics announced today that they have set December 19 for the New York and Los Angeles release of Michael Haneke’s AMOUR.  The film was just awarded the acclaimed Palme d’Or at the 2012 Cannes Film Festival. AMOUR marks the third film between Haneke and Sony Pictures Classics. …

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“All the ribbons in Battleship were appropriate and worn correctly.”

“All the ribbons in Battleship were appropriate and worn correctly.”

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Sragow Calls Ridley Scott’s First Film “Brilliant”

Sragow Calls Ridley Scott’s First Film “Brilliant”

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Explaining Wes Anderson’s “Somewhat Eclectic” Films To Those In Ad Biz

Explaining Wes Anderson’s “Somewhat Eclectic Films” To Those In Ad Biz

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Screen Int’l Editor Goodridge Scrams Scribe Tribe For Motion Picture Biz

Screen Int’l Editor Goodridge Scrams Scribe Tribe For Motion Picture Biz

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Walter Cronkite’s “Most Memorable Reporting Experience”: Texas, 1937

Walter Cronkite’s “Most Memorable Reporting Experience”: Texas, 1937

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British Humourists Create Posters That Tell “The Truth” About Summer Films

British Humourists Create Posters That Tell “The Truth” About Summer Films

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Gary Hustwit’s 10 Great Web Tips For Documentary Filmmakers

Gary Hustwit’s 10 Great Web Tips For Documentary Filmmakers

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Meet The $3.2 Million Screenwriter Of Snow White And The Huntsman

Meet The $3.2 Million Screenwriter Of Snow White And The Huntsman

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How Dr. Google Collaborated On “Fifty Shades Of Grey”

How Dr. Google Collaborated On “Fifty Shades Of Grey”

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Chicago Tribune To Set Complicated Paywall Right After Next Announced Round Of Firings

Chicago Tribune To Set Complicated Paywall Right After Next Announced Round Of Firings

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FILMFUNDS CONTINUES TO EXPAND WEBSITE REACH & MISSION WITH APPOINTMENT OF NEW CEO JASON SCOGGINS

FOR IMMEDIATE RELEASE  Santa Monica, CA (May 29, 2012) – FilmFunds (www.FilmFunds.com) continues to evolve and grow by significantly increasing its content offerings as well as its staff with the announcement of well-respected entertainment/technology entrepreneur Jason Scoggins to spearhead new initiatives as CEO.  While strengthening the website’s core mission of connecting filmmakers and their projects…

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World’s Smallest Bodybuilder Tries Luck In H’wd

World’s Smallest Bodybuilder Tries Luck In H’wd

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Kathi Goldmark, Beloved Literary Impresario, Was 63

“As the end drew near, Ms. Goldmark mouthed something toward those around her. It was ‘Rosebud.’ And she smiled as she whispered it.”  Kathi Goldmark, Beloved Literary Impresario, Was 63

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NYC Immigrant Communities Still Entertained By VHS

“I love movies. I don’t want to see a movie in any form go in the garbage.” NYC Immigrant Communities Still Entertained By VHS

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“When I film ’84 Up,’ I’ll be 99!”

“When I film ’84 Up,’ I’ll be 99!”

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New Venice Director Sez Fest Likely Less Showy, Hopes For Anderson, Malick, DePalma Pics

New Venice Director Sez Fest Likely Less Showy, Hopes For Anderson, Malick, DePalma Pics

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon