Movie City News Archive for August, 2012

“Phillipson suggested that women bring copies of the trilogy to burn alongside an effigy of Christian Grey. ‘People have said we are total lunatic fascists for wanting to burn a book. But is there something sacred about it, or is it just rubbish?'”

“Phillipson suggested that women bring copies of the trilogy to burn alongside an effigy of Christian Grey. ‘People have said we are total lunatic fascists for wanting to burn a book. But is there something sacred about it, or is it just rubbish?’”

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“There’s an assumption that Nazis are the only people who burn books. What we are saying is: this book is rubbish and we would like to reduce it to ashes.”

“There’s an assumption that Nazis are the only people who burn books. What we are saying is: this book is rubbish and we would like to reduce it to ashes.”

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Living Quadrophenia

Living Quadrophenia

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The New Yorker On Neil Armstrong

The New Yorker On Neil Armstrong Anthony Lane, 2012 and E. B. White, 1969 

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Nick Cave On Making “True Myth” Like Lawless

Nick Cave On Making “True Myth” Like Lawless

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Documenting Ann Richards’ Texas

Documenting Ann Richards’ Texas

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Hari Kunzru On Werner Herzog, “The Present Director”

Hari Kunzru On Werner Herzog, “The Present Director”

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Michael Apted On Yet Another Squashed Stones Doc

Michael Apted On Yet Another Squashed Stones Doc

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In Rush To Bash Premium, La Finke Fails To Note Producer Polone’s Call For Her Banishment From Polite Discourse

“Guess it sucks to be Polone these days. Maybe he should make his day job writing that lame blog.” In Rush To Bash Premium, La Finke Fails To Note Producer Polone’s Call For Her Banishment From Polite Discourse

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“I think Nikki Finke’s manner of writing nasty personal attacks, threatening people, and exhibiting general incivility is unacceptable, and I am asking those who read this to ‘unfavorite’ Deadline from their browser, read it less often, and stop tipping her when they have a story until such time as she has begun to adhere to a more professional practice of journalism.”

Earlier – “I think Nikki Finke’s manner of writing nasty personal attacks, threatening people, and exhibiting general incivility is unacceptable, and I am asking those who read this to ‘unfavorite’ Deadline from their browser, read it less often, and stop tipping her when they have a story until such time as she has begun to…

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SLEEPWALK WITH ME Scores at IFC CENTER, Breaking an Overall First-time Filmmaker Screen Average Record and the House Record

FOR IMMEDIATE RELEASE  August 26, 2012 – NY – Mike Birbiglia’s SLEEPWALK WITH ME scored a superb opening this weekend with $65,000 at NY’s IFC Center breaking the house record by a large margin and  driving a stellar overall weekend for the theater – one of its biggest weekends ever.  The SLEEPWALK WITH ME gross …

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Bruni On Compliance, “An Essential Parable Of Human Gullibility”

“In order to have a pleasant life, you have to be able to trust that people are who they say they are. And if you questioned everything you heard, you’d never get anything done.” Bruni On Compliance, “An Essential Parable Of Human Gullibility”

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And – Glenn Greenwald On “Authoritarian Desire”

And – Glenn Greenwald On “Authoritarian Desire”

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Sony Goes B’wy Musical, Starting With Tootsie

Sony Goes B’wy Musical, Starting With Tootsie

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India Starts Selective, Politically-Motivated Crackdown On Internet

India Starts Selective, Politically-Motivated Crackdown On Internet; Number Of Daily Text Messages Allowed Set At 20

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The Weekend Report

The Expendables 2 coined an estimated $13.3 million to once again take top spot on the weekend movie going chart. The trio of new national releases didn’t get much more than a toe-hold on audience interest. Premium Rush carried on the tradition of 1986’s Quicksilver as it peddled into eighth with $6.3 million despite allegations of doping while Hit and Run skidded on the rail with $5.7 million. The horror entry The Apparition had a semblance of $2.9 million.

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Wilmington on Movies: Samsara

One of the tasks of art is to create beauty. (I’ll call it a sacred task, since I lived most of my life with an artist and treasure her memory, and it‘s what she would have said.) Another is to reveal the truth, or to give us both, together. I wouldn’t be so pretentious as to say that Samsara achieves all or any of these. But it tries. Honor to it then, and praise to all cinema that reveals a world to us — worlds upon worlds, the wheels of death and the Wheel of Life as well.

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Colin Farrell, No Longer The “Wild One”

Colin Farrell, No Longer The “Wild One”

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Animator Ken Walker, 91, Worked At Disney, More

Animator Ken Walker, 91, Worked At Disney, More

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James Fogle, 75, Incarcerated Career Criminal Who Wrote Drugstore Cowboy

“His characters were so perfectly real. He was a pretty good writer who could channel his own experiences.” James Fogle, 75, Incarcerated Career Criminal Who Wrote Drugstore Cowboy

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon