Movie City News Archive for November, 2012

Comics Pioneer Spain Rodriguez Was 72

Comics Pioneer Spain Rodriguez Was 72

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“John Hyams Is the Best Action Director Working Today,” Schager Sez

“John Hyams Is the Best Action Director Working Today,” Schager Sez

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Eight Of Sixteen Prime Sundance Slots Filled By Women

Eight Of Sixteen Prime Sundance Slots Filled By Women

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Sundance 2013 Announces U.S., World Cinema Dramatic And Documentary Competitions As Well As “<=>“

Including Shane Carruth, Lynn Shelton, David Lowery, Jerusha Hess, Jehane Noujaim, Andrew Bujalski, Kim Longinotto, James Ponsoldt, Audrey Ewell & Aaron Aites, Matthew Porterfield, Carl Deal & Tia Lessin, Plus: Pussy Riot Sundance 2013 Announces  U.S., World Cinema Dramatic And Documentary Competitions As Well As “<=>”

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2013 SUNDANCE FILM FESTIVAL ANNOUNCES FILMS IN U.S. AND WORLD COMPETITIONS, NEXT <=>

Park City, UT, November 28, 2012 — Sundance Institute announced today the films selected for the U.S. and World Cinema Dramatic and Documentary Competitions and the out-of-competition NEXT <=> section of the 2013 Sundance Film Festival, January 17-27 in Park City, Salt Lake City, Ogden and Sundance, Utah. Robert Redford, President & Founder of Sundance Institute…

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Deakins Pictures Skyfall

Deakins Pictures Skyfall

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Wilmington on DVDs: Umberto D.

Italy. The early ‘50s. The Post-war era. On a crowded Roman street, a group of old men who live on pensions from the Italian government, try to demonstrate for a raise in their meager incomes. Police break up the march, and the old men scatter, including the neatly-dressed, white-haired man whom we will follow for 88 minutes in the story that has just begun. He is an elderly ex-government worker named Umberto Domenico Ferrari, or “Umberto D.“ for short. Umberto has a threadbare dark suit and sad, watchful eyes and he takes with him, almost everywhere, his little white-and-brown-haired dog, Flike. Like most of the other old men, his situation has become desperate.

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What Is Celebrity “SWATting” And Why Are L. A. Police All Over It?

What Is Celebrity “SWATting” And Why Are L. A. Police All Over It?

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Pitt Tells People Fatherhood Made Him “A Better Man”

Pitt Tells People Fatherhood Made Him “A Better Man” 

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Bill Murray Takes Itzkoff On An Adventure

Bill Murray Takes Itzkoff On An Adventure

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The Gronvall Files: To Canada (And Beyond?): PIXAR Canada Creative Director Dylan Brown

“Steve Jobs used to say, “Do one thing, and just make it great.” And John Lasseter says that quality is the best business plan. When you go to see a Pixar movie in a theatre, you will get, first, the trailer for one of our upcoming movies, then a short, and then the feature attraction. [To make a comparison,] the way they package objects in stores in Japan is as careful, thoughtful, and artful as the gift itself. We are a well vertically integrated company.”

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The DVD Wrapup: MiB3, Lawless, Beijing Punk… More

Seven years ago, director John Hillcoat collaborated with writer-composer Nick Cave and actor Guy Pearce on the excellent Outback Western, “The Proposition.” They combined their talents again on “Lawless,” a slick hillbilly gangster flick set during America’s Prohibition experiment. Like “The Proposition,” “Lawless” is a smart and exciting genre that isn’t afraid to ratchet up the violence when things get too contemplative and self-consciously hip. Even more so than Hillcoat’s revisionist Western, though, his moonshine drama probably would be a better fit at a drive-in theater than an arthouse.

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Jonnie Rosenbaum Would Differ With Spielberg’s Lincoln

“Part of what keeps Lincoln so far away from any mythical past I can believe in is a form of political correctness.” Jonnie Rosenbaum Would Differ With Spielberg’s Lincoln

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Fintan O’Toole On The Diaries Of Richard Burton, “The Great Actor Who Hated Acting”

Fintan O’Toole On The Diaries Of Richard Burton, “The Great Actor Who Hated Acting”

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Tulipsyn’s “Notes on Fame (Do you Know Who You Are?)”

“What it means to be young on camera.” Tulipsyn‘s “Notes on Fame (Do You Know Who You Are?)” And – Being “Microfamous”

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Gervasi On Hitchcock Criticism

“By the way, it’s a MOVIE.” Gervasi On Hitchcock Criticism

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Spielberg Sez Cubby Broccoli Turning Him Down Early On For 007 Helped Lead To Indy

Spielberg Sez Cubby Broccoli Turning Him Down Early On For 007 Helped Lead To Indy 

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Ebert Goes Oscar

“If I had my way, and I don’t, a Best Picture nomination would certainly go to Beasts of the Southern Wild.” Ebert Goes Oscar

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Further Evidence Links Creativity, Dishonesty

Further Evidence Links Creativity, Dishonesty

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon