Movie City News Archive for January, 2013

Rosenbaum On “The Best Jewish Director You’ve Never Heard Of”

Rosenbaum On “The Best Jewish Director You’ve Never Heard Of”

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Wilmington on DVDs: Ivan’s Childhood

We remember young Ivan’s face as we remember the faces of the two tragic friends in Shoeshine, of the street kids in Rome: Open City, of the little boy in Bicycle Thieves—of all art film children caught in the crucibles of war and social injustice.

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DP/30 Sneak Peek: Alex Gibney on Zero Dark Thirty @ Sundance 2013

I sat down to chat with Alex Gibney about his new documentary, WikiLeaks: We Steal Secrets. But we eventually got into Alex’s public position on the movie Zero Dark Thirty in this Sneak Peek.

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CAA Goes After Tony Scott Estate For A Million Dollars In Commissions

CAA Goes After Tony Scott Estate For A Million Dollars In Commissions

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Longworth Inside Inside Charlie Sheen

“Financiers, insurance companies did not like the insurance profile. But they’re based on dumb — not facts, perceptions. We just had to not have insurance, which was fine.” Longworth Inside Inside Charlie Sheen

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Coates On “David Mamet And The Irrelevance Of The Actual Meanings Of Words”

Coates On “David Mamet And The Irrelevance Of The Actual Meanings Of Words”

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Sapphires Sweeps Six Australian AACTA Awards: Film, Director, Leading Actress, Supporting Actress, Adapted Screenplay And Chris O’Dowd For Leading Actor

Sapphires Sweeps Six Australian AACTA Awards: Film, Director, Leading Actress, Supporting Actress, Adapted Screenplay And Chris O’Dowd For Leading Actor

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U Mass Prof Ponders, Why No Actual Slavery In Lincoln?

U Mass Prof Ponders, Why No Actual Slavery In Lincoln?

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Sampling VF’s Pulp Fiction Oral History

“In comes Sam with a burger in his hand and a drink in the other hand and stinking like fast food. Me and Quentin and Lawrence were sitting on the couch, and he walked in and just started sipping that shake and biting that burger and looking at all of us. I was scared —-less….

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Jim Nabors On Marriage At 82

Jim Nabors On Marriage At 82

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Indomina Shuts Down U. S. Theatrical Operations Post-Holy Motors

Indomina Shuts Down U. S. Theatrical Operations Post-Holy Motors

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Cinedigm Sets Sundance Doc Narco Cultura US Distribution

Cinedigm Sets US Distribution Of Sundance Doc Narco Cultura

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CINEDIGM ACQUIRES NORTH AMERICAN DISTRIBUTION RIGHTS TO SHAUL SCHWARZ’S SUNDANCE 2013 COMPETITION TITLE “NARCO CULTURA”

Cinedigm Plans Theatrical and Awards Qualifying Run This Year LOS ANGELES, CA (January 30, 2013) – Cinedigm (NASDAQ: CIDM) has acquired North American distribution rights to Israeli photographer and filmmaker Shaul Schwarz’s NARCO CULTURA, which world premiered last week at the 2013 Sundance Film Festival in the Documentary Competition section. The film was produced by…

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“Even if we accept Slavoj Žižek’s dubious premise that Kathryn Bigelow’s film condones torture, is he arguing that there should only be films which confirm the cosy certainties of leftist, bourgeois audiences?”

“Even if we accept Slavoj Žižek’s dubious premise that Kathryn Bigelow’s film condones torture, is he arguing that there should only be films which confirm the cosy certainties of leftist, bourgeois audiences?”

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Growing Up With Ezekiel, Rahm And Ari Emanuel

Growing Up With Ezekiel, Rahm And Ari Emanuel

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“The goal is to become HBO faster than HBO can become us”

“The goal is to become HBO faster than HBO can become us”

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The Challenges Of Being Diablo Cody

The Challenges Of Being Diablo Cody

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Michael Sheen On Child Soccer Aid In Chad

Michael Sheen On Child Soccer Aid In Chad

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Martin Sheen Says He’s An Admirer Of Zero Dark Thirty; Meant Dislike Only Of American Torture Itself; Clennon Still Says Film Fosters “encouragement of the tolerance of torture.”

Martin Sheen Now Says He’s An Admirer Of Zero Dark Thirty; Meant Dislike Only Of American Torture Itself; Clennon Still Says Film Fosters “encouragement of the tolerance of torture.”

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Patty Andrews, Last Of The Andrews Sisters, Was 94

Patty Andrews, Last Of The Andrews Sisters, Was 94

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon