Movie City News Archive for April, 2013

A Teeny Bit More On The A. V. Club Exodus Of Phipps, Tobias, Robinson, Koski And Rabin

A Teeny Bit More On The A. V. Club Exodus Of Phipps, Tobias, Robinson, Koski And Rabin

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Sample The Don Bluth Animation Collection Online

Sample The Don Bluth Animation Collection Online

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Masahiro Kobayashi on the Advent of Digital Technology in Asian Cinema

Masahiro Kobayashi On Digital Technology In Asian Cinema

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Nicolas Rapold Uncorks Ben Wheatley’s Genre Genie

Nicolas Rapold Uncorks Ben Wheatley’s Genre Genie

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Ang Lee On What He Wants For His Children, Beyond His Son Designing Pi’s Liferaft

Ang Lee On What He Wants For His Children, Beyond His Son Designing Pi’s Liferaft

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Veteran Oz Helmer Bruce Beresford Takes A Diss On The Searchers

Veteran Oz Helmer Bruce Beresford Takes A Diss On The Searchers

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Almodóvar Toots “Gayest Film Ever”

Almodóvar Toots “Gayest Film Ever” While – Supporting Protests Against Spanish Government’s Austerity Evictions, Fears Violence From Dispossessed 

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Kehr Recognizes The French Comedy Of Pierre Étaix

Kehr Recognizes The French Comedy Of Pierre Étaix

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Max Von Sydow On His TCM Film Fest Career Honor

Max Von Sydow On His TCM Film Fest Career Honor

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Countdown to Cannes: Nicolas Winding Refn

The sixth snapshot of one of the twenty filmmakers in Competition for the Palme d’Or at the sixty-sixth Festival de Cannes.

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“Zach Braff may become a reverse Robin Hood: a rich man taking money from the public and funneling it back into the same infrastructure he so passionately denounced.”

“Zach Braff may become a reverse Robin Hood: a rich man taking money from the public and funneling it back into the same infrastructure he so passionately denounced.” Braff’s Follow-Up To Garden State Surpasses Its Goal In Under 96 Hours With $2,007,769

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“A visit to the cinema nowadays means encountering people who chatter and text, munch, slurp and generally spoil the experience for everyone.”

“A visit to the cinema nowadays means encountering people who chatter and text, munch, slurp and generally spoil the experience for everyone.”

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“There were thousands of people around us and cops on horses, and Groucho was terrified. He hadn’t seen this many people out there for him in 30 years. And when they saw him, the crowd sang, ‘Hail, Hail Freedonia’ at him, the song from Duck Soup. It was like a Justin Bieber crush!”

“There were thousands of people around us and cops on horses, and Groucho was terrified. He hadn’t seen this many people out there for him in 30 years. And when they saw him, the crowd sang, ‘Hail, Hail Freedonia’ at him, the song from Duck Soup. It was like a Justin Bieber crush!”

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“I firmly believe that we’re all hicks now when it comes to knowing what’s ‘going on’ in the world of cinema. How could it be otherwise, considering all the films we don’t see—including some of those that we’ll value most years from now?”

“I firmly believe that we’re all hicks now when it comes to knowing what’s ‘going on’ in the world of cinema. How could it be otherwise, considering all the films we don’t see—including some of those that we’ll value most years from now?”

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Academy May Lift Cap On Membership To Diversify Ranks

“A 2012 study found that nearly 94% of academy voters are white and 77% are male. Blacks make up about 2% of the academy and Latinos less than 2%. Oscar voters have a median age of 62.” Academy May Lift Cap On Membership To Diversify Ranks

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Ramin Bahrani Breaks Out Of The Plastic Bag

Ramin Bahrani Breaks Out Of The Plastic Bag

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Jaron Lanier On The True Danger Of Copying Music

“It is one thing to sing for your supper occasionally, but to have to do so for every meal forces you into a peasant’s dilemma.” Jaron Lanier On The True Danger Of Copying Music

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Zuckerberg Takes $2.3 Billion Payout From Facebook Stock

Zuckerberg Takes $2.3 Billion Payout From Facebook Stock

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That Time Jerry Lewis Asked Drug Dealers To Donate To The Telethon

That Time Jerry Lewis Asked Drug Dealers To Donate To The Telethon

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Michael Shannon Would Like To Be On Late Night Teevee

Michael Shannon Would Like To Be On Late Night Teevee

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon