Movie City News Archive for February, 2014

Stone Reports Publicist Peggy Siegel Sez Oscar Voters Wouldn’t Even Watch 12 Years

Stone Reports Publicist Peggy Siegel Sez Oscar Voters Wouldn’t Even Watch 12 Years

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Foundas Thinks To Harold Ramis Only With His Eyes

“When I walked out of a screening Monday morning to the news that Harold Ramis was dead at 69, I got the feeling that some part of my childhood had died with him—a feeling not unlike the one, five years ago, that came with the death of that other towering figure of 1980s American screen…

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Ted Hope Sez Go Right Ahead And Build That System That Deals With The Abundance Of Creativity That’s Out There

Ted Hope Sez Go Right Ahead And Build That System That Deals With The Abundance Of Creativity That’s Out There

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Jane Fonda Is Crying

Jane Fonda Is Crying

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Cliff Bole, 76, Directed At Least 40 Episodes Of Various “Star Trek” Series

Cliff Bole, 76, Veteran TV Helmer Directed At Least 40 Episodes Of Various “Star Trek” Series

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“I am more bullish about the future of the news industry over the next 20 years than almost anyone I know. You are going to see it grow ten to a hundred times from where it is today,” Sez Marc Andreesen

“I am more bullish about the future of the news industry over the next 20 years than almost anyone I know. You are going to see it grow ten to a hundred times from where it is today,” Sez Marc Andreesen

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It’s Different

I want to let movies breathe. I want to breathe. I want to believe in the ambitions of most everyone who does something along the lines of what I do. I want to be challenged smartly, beaten as appropriate, and made better by my failures. I want to love things without cynicism.

I love so much of what I have had the privilege to do for a very nice living for a very long time. But I do feel these days like I am being moved around the chess board in a way that stifles growth.

For the first time in my journalistic career, I have to remind myself to play the game.

I hate that.

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Manager Marty Thau, 75, Facilitated NYC Punk, Including The Ramones, New York Dolls And Suicide

“Loud and hard ghetto music about girls, sex, drugs, loneliness, heartbreak and the rites of teenage romance. In other words… real rock ’n’ roll.” Manager Marty Thau, 75, Facilitated NYC Punk, Including The Ramones, Blondie, New York Dolls, Richard Hell,  Suicide As Well As Bubblegum “Yummy, Yummy,Yummy” And “96 Tears”

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“‘We must get this shot. We must get this shot.’ A young woman, Sarah Jones, 27, was killed on set of ‘Midnight Rider,’ after being struck by a freight train. God dammit. 27. That’s a year older than me.”

“‘We must get this shot. We must get this shot.’ A young woman, Sarah Jones, 27, was killed on set of ‘Midnight Rider,’ after being struck by a freight train. God dammit. 27. That’s a year older than me.”

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And The Oscar Presenters Are…

And The Oscar Presenters Are…

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And the Oscar presenters are…

STARS COME OUT TO CELEBRATE ON OSCAR® SUNDAY

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Noel Murray Relishes Disagreeing With Filmmakers About What Their Work Means

Noel Murray Relishes Disagreeing With Filmmakers About Their Work

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A Disinterested Critique Of NYMag’s Oscar Blogger Takeout

A Semi-Disinterested “Biblical” Critique Of NYMag’s Oscar Blogger Takeout

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Variety Stunts Its Own Award With 150 Unnamed “Film Pros”: Gravity Elevates Above American Hustle And Blue Is The Warmest Color

Variety Stunts Its Own Award With 150 Unnamed “Film Pros”: Gravity Elevates Above American Hustle And Blue Is The Warmest Color

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Reitman On Ramis

Reitman On Ramis

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George Lucas And Mellody Hobson Gift University Of Chicago Lab School With $25 Million Gordon Parks Arts Hall

George Lucas And Mellody Hobson Gift University Of Chicago Lab School With $25 Million Gordon Parks Arts  Hall

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Roger Hill, 65, Was “Cyrus” In The Warriors

Roger Hill, 65, Was “Cyrus” In The Warriors

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What Stephen Tobolowsky Learned From Harold Ramis

What Stephen Tobolowsky Learned From Harold Ramis

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For Oscar, Strauss Munches On Puck

For Oscar, Strauss Munches On Puck

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Foundas Embraces Pompeii, The “Vulgar Auteur” Rubric And Paul W. S. Anderson

Foundas Embraces Pompeii, The “Vulgar Auteur” Rubric And Paul W. S. Anderson

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon