Movie City News Archive for June, 2014

Sight Unseen, Minions Of North Korea Dictator Say Seth Rogen-James Franco Comedy Constitutes “Act Of War”

Sight Unseen, Minions Of North Korea Dictator Say “Gangster Filmmaker” Seth Rogen’s Kim Jong-un Assassination Comedy Constitutes “Act Of War”

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Inside A Lost And Forgotten Chicago Movie Palace

Inside A Lost And Forgotten Spanish Baroque Chicago Movie Palace

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ELI WALLACH WAS 98

ELI WALLACH WAS 98 “I have ridden the elevator in that prewar building more times than I can count, been a guest at some of the parties whose relics litter the end tables, and heard most of the stories that echo through the rooms and hallways. Including the one about how my parents exchanged their…

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George Lucas Feels Equally Strongly About Chicago And San Francisco, But His Museum Heads To The Midwest

“Building in Chicago is the right decision for the museum, but the Bay Area will always be my home. I grew up here, made all my films here and raised my family in the Bay Area.” George Lucas Feels Equally Strongly About Chicago And San Francisco, But His Museum Heads To The Midwest

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Snowpiercer Vs. Transformers: Is This Any Way To Treat The “Smaller” Blockbuster?

Snowpiercer Vs. Transformers: Is This Any Way To Treat The “Smaller” Blockbuster?

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Gay Underground Filmmaking Pioneer Peter De Rome Was 89

Gay Underground Filmmaking Pioneer Peter De Rome Was 89 mnsfw

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Supremes Snap Aereo’s Aerials

Supremes Snap Aereo’s Aerials

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It’s A Thelma & Louise Reunion

It’s A Thelma & Louise Reunion

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Gary Oldman’s Foot In Mouth Disease

The year was 2000. Rod Lurie had made his second film, he Contender, which had been picked up by DreamWorks SKG. It was the year after American Beauty, so DreamWorks SKG had an Oscar glow and though Gladiator was their big show pony, Lurie being ushered into that company was a very big deal. Joan Allen was an immediate big-time contender to win Best Actress. And there was strong buzz around Gary Oldman for Best Supporting Actor, playing an ultra-conservative, buttoned-up Senator.

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A Double Date With Leatherface

A Double Date With Leatherface

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“If you want to start a knife fight with a film nerd, casually suggest that Crash 100 percent deserved its Best Picture Oscar for its profound examination of contemporary race relations.”

“If you want to start a knife fight with a film nerd, casually suggest that Crash 100 percent deserved its Best Picture Oscar for its profound examination of contemporary race relations.”

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News Of The World Phone Hacking Case Ends In Acquittal Of One Editor, Conviction Of Another

News Of The World Phone Hacking Case Ends In Acquittal Of One Editor, Conviction Of Another

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A Live Tribute To They Live In Downtown L. A.

A Live Tribute To They Live In Downtown L. A.

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Stuntman Terry Richards, 81, Was “Cairo Swordsman” In Raiders, Nine 007 Movies In 50-Year Career; Doubled For Tom Selleck, Christopher Lee, Donald Sutherland

Stuntman Terry Richards, 81, Was “Cairo Swordsman” In Raiders, Nine 007 Movies In 50-Year Career; Doubled For Tom Selleck, Christopher Lee, Donald Sutherland

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Gary Oldman: “I hope you will know that this apology is heartfelt, genuine, and that I have an enormous personal affinity for the Jewish people in general, and those specifically in my life. The Jewish People, persecuted thorough the ages, are the first to hear God’s voice, and surely are the chosen people.”

Gary Oldman: “I hope you will know that this apology is heartfelt, genuine, and that I have an enormous personal affinity for the Jewish people in general, and those specifically in my life. The Jewish People, persecuted thorough the ages, are the first to hear God’s voice, and surely are the chosen people.”

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“Film Folklore In Iran”

“Reinventing the rites of cinema under the sign of repression” Film Folklore In Iran

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The Unusual Backstory On Shane Black Taking Over The Predator Franchise

The Unusual Backstory On Shane Black Taking Over The Predator Franchise

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Any Moment With Stephen Sondheim

“An article in The New Yorker misreporting my ‘Master Class’ conversation about censorship in our schools a couple of weeks ago has created some false impressions about my collaboration with the Disney Studio on the film version of Into the Woods. Despite what the New Yorker article may convey, the collaboration was genuinely collaborative and always…

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Chicago Gets George Lucas Imperial Museum

Chicago Gets George Lucas Imperial Museum

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Ben Sachs On 22 Jump Street, Devils And Cartoons

Ben Sachs On 22 Jump Street, Devils And Cartoons

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon