Movie City News Archive for October, 2014

On The High-Low Personal Style Of Spike JOnze

On The High-Low Personal Style Of The 44-Year-Old Spike Jonze

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Regal Entertainment Theater Circuit Exploring Sale

Regal Entertainment Theater Circuit Exploring Sale

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Anne Thompson Offers Her 6 Reasons Interstellar Might Not Be An Oscar Slam-Dunk

Anne Thompson Offers Her 6 Reasons Interstellar Might Not Be An Oscar “Slam-Dunk”

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Mike Leigh Regards Mike Leigh

“On the whole I kind of quite like my films without watching them every night like Gloria Swanson in Sunset Boulevard. But I do actually think they are alright. A lot of filmmakers say ‘I can’t watch myself’ and, very often it is because the film that got made isn’t the film they wanted to…

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James Schamus Holds Court And Challenges Bits ‘O Conventional Wisdom About Making Movies

James Schamus Holds Court And Challenges Bits ‘O Conventional Wisdom About Making Movies

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Michael Sragow On His Life As A Film Cricket

Michael Sragow On His Life As A Film Cricket

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“There Are Things You Don’t Know About” John Lurie Painting

“There Are Things You Don’t Know About” John Lurie Painting

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Ed Norton On Why $40 Makes Him Proud

Ed Norton On Why $40 Makes Him Proud

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Julianne Moore Sez She Did Hunger Games For Her Kids

Julianne Moore Sez She Did Hunger Games For Her Kids

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Cinematographer Jeff Cronenweth Talks Shooting Digital And Working With David Fincher

Cinematographer Jeff Cronenweth Talks Shooting Digital And Working With David Fincher

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James Quandt On Jacques Tati As “Scatterbrained Angel”

James Quandt On Jacques Tati As “Scatterbrained Angel”

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Martinis, Sushi And A Movie In SoCal

Martinis, Sushi And A Movie In SoCal

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CBC Fires Leading Talk Host Jian Ghomeshi Over Sex Allegations: Star Explicit On Content

CBC Fires Leading Talk Host Jian Ghomeshi Over Sex Allegations: Star Explicit On Content “We talked about using safe words and regularly checked in with each other about our comfort levels. “ And – Ghomeshi Seemingly Pulls Few Punches In 1,600 Words On The Content Of The Allegations

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Review: Interstellar (non-spoiler)

I don’t really want to write this review.

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The Weekend Report

Audiences proved game for Ouija and placed it at the top of the charts with an estimated $20.1 million. That left the session’s other incoming wide release, actioner John Wick, with the consolation prize of $14.2 million. In regional release, inspirational high school football yarn 23 Blast failed to score with a $347,000 tally from 617 scrimmages. Another flood of incoming exclusives provided a few encouraging (and better) results including Swedish Oscar submission Force Majeure that entered with $23,400 from two screens. The American indie comedy Laggies also opened well with $81,700 at six sites and the Edward Snowden affair provided Citizenfour with an excellent $117,000 box office from five engagements.

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Citizenfour’s Laura Poitras Sez “Facebook is a gift to intelligence agencies”

Citizenfour‘s Laura Poitras Sez “Facebook is a gift to intelligence agencies”

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The Great Wild World Over There: What’s The Fate Of Ray Bradbury’s Los Angeles Home?

The Great Wild World Over There: What’s The Fate Of Ray Bradbury’s Los Angeles Home?

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Emanuel Lubezki Goes Behind The Birdman Scenes With Prize Pics

Emanuel Lubezki Goes Behind The Birdman Scenes With Prize Pics

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Larry Rohter On The Glen Campbell-Alzheimer’s Doc, I’ll Be Me

Larry Rohter On The Glen Campbell-Alzheimer’s Doc, I’ll Be Me

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David Cronenberg On What Makes A Good Screenwriter

“The only thing that goes directly on the screen is the dialogue and the narrative structure. You can be a terrible writer, but if you write good dialogue and have a good sense of narrative structure, you can be a good screenwriter and still be functionally illiterate, which a lot of good screenwriters in my…

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon