Movie City News Archive for December, 2014

“Man Wants Refund After Buying $650 In Tickets To The Interview’”

“Man Wants Refund After Buying $650 In Tickets To The Interview’”

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Bill Desowitz Admires The Sturm And Sturm And Sturm And Drang Of The Concluding Hobbit Pictures

Bill Desowitz Admires The Sturm And Sturm And Sturm And Drang Of The Concluding Hobbit Picture

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Michael Cieply’s Take On The Winding Road Of The Wedding Ringer To The Screen Boasts Fun Facts Galore, Including That When Severed From Disney, Miramax Had 642 Scripts “Valued At Exactly Nothing”

Michael Cieply‘s Take On The Winding Road Of The Wedding Ringer To The Screen Boasts Fun Facts Galore, Including That When Severed From Disney, Miramax Had 642 Scripts “Valued At Exactly Nothing”

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Richard Linklater Walks Vanity Fair Through His 17 Features

Richard Linklater Walks Vanity Fair Through His 17 Features

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“As accusations of sexual assault continue to mount against Mr. Cosby—more than two dozen women have gone public—the question arises as to why these stories never sparked a widespread outcry before. The aggressive legal and media strategy mounted by Mr. Cosby and his team may have played a significant role.”

“As accusations of sexual assault continue to mount against Mr. Cosby—more than two dozen women have gone public—the question arises as to why these stories never sparked a widespread outcry before. The aggressive legal and media strategy mounted by Mr. Cosby and his team may have played a significant role.”

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Sony Says Opening Weekend VOD For The Interview Topped $15 Million

“Sony’s decision to provide numbers gives rare insight into the home entertainment results of a major film release, figures that usually remain shrouded in secrecy.” Sony Says Opening Weekend VOD For The Interview Topped $15 Million

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Cosby Employs Ranks Of High-Power PIs To Seek Dirt

“A scorched-earth strategy in which anything negative in his accusers’ pasts is fair game” Cosby Employs Ranks Of High-Power PIs To Seek Dirt

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An Excerpt From Shawn Levy’s Fine “De Niro: A Life”: “When Mike Nichols Fired Robert De Niro”

An Excerpt From Shawn Levy’s Fine “De Niro: A Life”: “When Mike Nichols Fired Robert De Niro”

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Why Has Unbroken Been A Christmas Hit?

Why Has Unbroken Been A Christmas Hit?

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Jeff Bezos Lost A Mere $8 Billion This Year, But He’s Probably Still Got $23 Billion More Than You

Jeff Bezos Lost A Mere $8 Billion This Year, But He’s Probably Still Got $23 Billion More Than You

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Chris Rock On Why Privacy Matters To Him

Chris Rock On Why Privacy Matters To Him

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From American Film, 1983, A Tally Of The Best Unproduced Scripts, Before The Blacklist Existed

From American Film, 1983, A Tally Of The Best Unproduced Scripts, Before The Blacklist Existed

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Bollywood Actress Veena Malik Given 26-Year Sentence By Pakistan Court For “Blasphemous” Wedding Scene

Bollywood Actress Veena Malik Given 26-Year Sentence By Pakistan Court For “Blasphemous” Wedding Scene

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Sasha Stone Sez Selma’s Not Only A Threat In The Oscar Race

Sasha Stone Sez Selma‘s Not Only A Threat In The Oscar Race

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Karaszewski And Alexander Justifiably Love Amy Adams

“Big Eyes just got better and better in the editing because of the pull of the movie quietly on Amy because there’s so much happening on her face. So as for why an audience would identify with her, I think they identify with her because she draws you in. You really feel for her.” Karaszewski…

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Perhaps The 12 Most Distracting Movie Extras Of All Time

Perhaps The 12 Most Distracting Movie Extras Of All Time

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The Weekend Report

No big changes from Friday… or Thursday. Unbroken remains about a million ahead of Into The Woods , both headed to $100m+. The Hobbittstill on top by more than 30%. The Imitation Game showing its commercial legitimacy. The Interview averages an estimated $5,800 per screen on 331 after all the noise, suggesting that VOD day-‘n-‘date remains cannibalistic.

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“We Need Stoner Movies More Than Ever”

“We Need Stoner Movies More Than Ever”

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L. A. Judge Denies Polanski Case Dismissal Motion

L. A. Judge Denies Polanski Case Dismissal Motion

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“What Is It Like To Be A Blind Film Critic?”

“What Is It Like To Be A Blind Film Critic?”

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon