Movie City News Archive for June, 2015

Das Reboot Surfaces

Das Reboot Surfaces

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“Harry Potter And The Cursed Child” Prequel Set For West End

“Harry Potter And The Cursed Child” Prequel Set For West End

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Cinematographer Tim Orr On Shooting Pacino In Manglehorn

Cinematographer Tim Orr On Shooting Manglehorn And A Like-Not-Love For Only God Forgives

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“What happened at Sony stands as a landmark event. It struck terror in boardrooms throughout corporate America, and for all the unique elements in Sony’s situation, the lessons apply to every company.”

“What happened at Sony stands as a landmark event. It struck terror in boardrooms throughout corporate America, and for all the unique elements in Sony’s situation, the lessons apply to every company.”

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Cosby Lawyers Argue Decades-Known Superstar Not A Public Figure To Keep Legal Documents Under Wraps

There’s Always Room For Disingenuousness Cosby Lawyers Argue Decades-Known Superstar Not A Public Figure To Keep Legal Documents Under Wraps

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Fandor And Factory 25 Jointly Acquire 7 Fest Faves

Fandor And Factory 25 Jointly Acquire 7 Fest Faves

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French Vivendi’s Purchase Of Telecom Italia Could Slow Netflix Euro Expansion

French Vivendi’s Purchase Of Telecom Italia Could Slow Netflix Euro Expansion

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Patrick Macnee Was 93

Patrick Macnee Was 93 And – Joe Leydon Remembers Him As The Real Avenger

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Rose McGowan On Being Fired By Her Agent For Speaking Of Sexism In Adam Sandler Casting Call

Rose McGowan Fired By Agent For Speaking Of Sexism In Adam Sandler Casting Call

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Amy Davidson On Antonin Scalia Vs. Spider-Man

Amy Davidson On Antonin Scalia Vs. Spider-Man

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Review: Ted Again (Ted 2)

A basic rule about narrative art… the first thing with which an audience connects is the heart of what the material is about. Ted was a sensational idea to which people could universally relate. What if the childhood toy you were obsessed with not only came to life, but continued to live past his cuteness, your cuteness, and to the point where he was keeping you from becoming an adult?

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Is “True Detective” A Satire or Encapsulaton Of The HBO Brand?

Is “True Detective” A Satire or Encapsulaton Of The HBO Brand?

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On Kevin Smith And Filmmaker Branding

On Kevin Smith And Filmmaker Branding

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Choire Sicha On “Alessandra Stanley And The Diminishment of Criticism”

“Stanley was a symbol of a generation of aging, phoning-it-in journalists of power who suffered no public consequences for inaccuracy or badness, even while their good work went unremarked upon.” Choire Sicha On “Alessandra Stanley And The Diminishment of Criticism”

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PRODUCTION BEGINS ON TODD SOLONDZ’S ‘WIENER-DOG’

Principal photography has begun on Todd Solondz’s WIENER-DOG, Annapurna Pictures announced today. Solondz wrote and directs the film, which stars Julie Delpy, Greta Gerwig, Kieran Culkin, Danny DeVito, Brie Larson, Ellen Burstyn, Zosia Mamet and Tracy Letts. Megan Ellison is producing through her Annapurna Pictures alongside Christine Vachon of Killer Films. David Distenfeld is the…

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Los Angeles City Council Approves Academy Museum Design

  CONSTRUCTION SCHEDULED TO BEGIN THIS SUMMER   LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences announced today that the Los Angeles City Council, in a unanimous vote, approved plans for the Academy Museum of Motion Pictures. Construction will begin this summer, and ceremonial groundbreaking festivities will occur this fall. “I…

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Sony Stake In Spotify Questioned As Artists Ask About Payment

Sony Stake In Spotify Questioned As Artists Ask About Payment

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“Has the Internet Changed Art Criticism? On Service Criticism and A Possible Future”

“Has The Internet Changed Art Criticism? On Service Criticism And A Possible Future”

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Sun Valley Media Confab Hobnobbers To Include Murdochs, Musk, Iger, Cook, Weinstein, Sarandos

Sun Valley Media Confab Hobnobbers To Include Murdochs, Musk, Iger, Cook, Weinstein, Sarandos

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“On the big screen and in his own skin, Seth MacFarlane looks as dead-eyed and immobile as the characters in the old ‘Clutch Cargo’ series, which pasted filmed human mouths on still cartoons. But as an uninhibited comedian providing the voice and movements for the foul-mouthed teddy bear in his Ted movies, MacFarlane comes alive as a performer.”

“On the big screen and in his own skin, Seth MacFarlane looks as dead-eyed and immobile as the characters in the old ‘Clutch Cargo’ series, which pasted filmed human mouths on still cartoons. But as an uninhibited comedian providing the voice and movements for the foul-mouthed teddy bear in his Ted movies, MacFarlane comes alive as…

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon