Movie City News Archive for August, 2015

NYT Music Critics Go Deep On The Matter Of Hip-Hop And B’way Smash “Hamilton”

NYT Music Critics Go Deep On The Matter Of Hip-Hop And B’way Smash “Hamilton” And – “The bracing fusion of hip-hop and the musical form shows that America’s history—and its future—belong to men and women of color as profoundly as to anyone else.”

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A Primer On Why “Life Rights” Contracts Matter To Documentaries

A Primer On Why “Life Rights” Contracts Matter To Documentaries

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Second City Shutters For Now After Offices Destroyed By Fire

Second City Shutters For Now After Offices Destroyed By Fire

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“Can Walton Goggins Just Be In Everything, Please?”

“Can Walton Goggins Just Be In Everything, Please?”

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So Rants Writer Joe Hill

“Either Rotten Tomatoes makes no sense or American critics make no sense or both.” So Rants Writer Joe Hill

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Viennese Actor-Director Peter Kern Was 68

Viennese Actor-Director Peter Kern Was 68 German

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Gurus o’ Gold: Pre-Festival Projections

The Gurus are back… for the pre-season. They split the contenders into three categories; films already seen, films coming at the festivals, and films due for release after the festivals.

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2015 Governor’s Awards Go To Debbie Reynolds, Spike Lee, Gena Rowlands

The Board of Governors of the Academy of Motion Picture Arts and Sciences voted Tuesday night (August 25) to present Honorary Awards to Spike Lee and Gena Rowlands, and the Jean Hersholt Humanitarian Award to Debbie Reynolds.  All three awards will be presented at the Academy’s 7th Annual Governors Awards on Saturday, November 14, at the…

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THE GRONVALL REPORT: Aviva Kempner Talks ROSENWALD

Before screening Rosenwald, the new documentary by Aviva Kempner, I had never heard of Julius Rosenwald. Sure, I was familiar with the retail giant he helped build—Chicago-based Sears, Roebuck & Company—mostly because it offered household appliances and auto tires at the best price, in the days before big-box discounters. But as for the front-office titan who died in 1932, how many today know that he was equally (if not more) important as an early trailblazer in the American civil rights movement? More folks below the Mason-Dixon line than above, I’m guessing.

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Wilmington on Movies: Forbidden Games

Forbidden Gamesis one of the great black-and-white French films of the post-war, pre-New Wave cinema era. But it‘s also one of a group of initially admired French post-war films that were later radically underrated by the New Wave critic-directors, including Truffaut and Godard.

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The DVD Wrapup: Welcome to NYC, Falling Star, Elena, Riot Club, Runner, Citizenfour, Clive Barker, Walking Dead, Gene Autry … More

One thing DSK almost certainly won’t be able to live down is the damning portrayal of his behavior in Abel Ferrara’s caustic Welcome to New York. Although the character’s name has been changed simply to Devereaux, there’s no mistaking who Gérard Depardieu is channeling. The great French actor and onetime Oscar nominee has come under heavy criticism of late for renouncing his citizenship and cozying up to Russia’s Vladimir Putin. Still, there’s no denying the sheer audacity of his performance here. DSK may never be mistaken for Arnold Schwarzenegger, another politician who couldn’t control his impulses, but even he must have been embarrassed by the sight of an actor who looks as if he’d been mainlining foie gras and guzzling Big Gulps to bring up his weight.

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Greenwich Village’s IFC Center More Than Doubling Screens And Seats

“Expanding our facility is crucially important in allowing us to continue to fill a unique and important cultural space in the downtown arts scene, as well as helping vital works of cinema get launched into broader release.” Greenwich Village’s IFC Center More Than Doubling Screens And Seats

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Justin Chang And Peter Debruge On TeeVee At Film Fests Like TIFF

Justin Chang And Peter Debruge On TeeVee On Show At Film Fests Like TIFF

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Luc Besson On His Latest Ambitions, Both Fiscal And Creative

“Studios develop 10-15 films for the one they make. On 10 films we develop, we make nine. We are very director-oriented. I see all over the world, lots of directors now who maybe were happy with their experience at a studio, but they feel not totally comfortable because the weight on theirs shoulder is big.”…

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NYPD Diverts Manpower To 100-Strong “Times Square Unit” To Battle Faux Superheroes And Topless Women

NYPD Diverts Manpower To 100-Strong “Times Square Unit” To Battle Faux Superheroes And Topless Women

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Owner Of Williamsburg’s Nitehawk Wouldn’t Mind Park Slope’s Pavilion Theater

Owner Of Williamsburg’s Nitehawk Wouldn’t Mind Park Slope’s Pavilion Theater

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George Lucas Backs Off On Interplanetary Air Terminal Design For Personal Museum On Chicago Lakefront

George Lucas Backs Off On Interplanetary Air Terminal Design For Personal Museum On Chicago Lakefront

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Sun Shines Out Of Morrissey’s Behind

On Politics, Sun Shines Out Of Morrissey’s Behind

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Full-Service Distributor FilmBuff Establishes Midtown Manhattan Headquarters, Doubles Management Team, and Expands Annual Theatrical Slate

On the heels of the recent expansion of its management team and its rapid growth in theatrical releases, FilmBuff announced a move today of its headquarters toManhattan’s burgeoning NoMad district. The move comes during a banner year for the company, which recently released the documentaries Banksy Does New York and Winning: The Racing Life of Paul…

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“Jennifer Lawrence picked up her phone. ‘Let me just text Amy and tell her that I told you,’ [about our screenplay] she said, beginning to type. Ms. Schumer responded immediately. Ms. Lawrence glanced at the message, and threw her head back in laughter. “I wrote, ‘I just spilled the beans on to The New York Times. Is that O.K.?’” she said. “And Amy wrote back, ‘That you’re gay? Totally! It’s exciting!’”

“Jennifer Lawrence picked up her phone. ‘Let me just text Amy and tell her that I told you,’ [about our screenplay] she said, beginning to type. Ms. Schumer responded immediately. Ms. Lawrence glanced at the message, and threw her head back in laughter. “I wrote, ‘I just spilled the beans on to The New York Times. Is…

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon