Movie City News Archive for October, 2015

India Filmmakers Return Gov’t Awards To Protest Growing Repression

India Filmmakers Return Gov’t Awards To Protest Growing Repression

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Chicago Rahm Powers Approval Of Lucas Museum Through City Council

Chicago Rahm Powers Approval Of Lucas Museum Through City Council

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Chris Vognar On The Literary Influences Of Room

Chris Vognar On The Literary Influences Of Room

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“That I had both an iPad and iPhone in my bag at the time but rummaged for a pen and wrote quotes straight onto my forearm felt right—felt fitting—while watching Steve Jobs. Biro on bare skin felt like a teeny-tiny protest in a teeny-tiny cinema against the output of the tortured male genius, the tortured male genius arsehole, the tortured male genius arsehole who is masterful with inanimate objects but a trainwreck with flesh, with blood.”

“That I had both an iPad and iPhone in my bag at the time but rummaged for a pen and wrote quotes straight onto my forearm felt right—felt fitting—while watching Steve Jobs. Biro on bare skin felt like a teeny-tiny protest in a teeny-tiny cinema against the output of the tortured male genius, the tortured male…

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Oscar-Winning Star Wars Sound Mixer Bob Minkler Was 78

Oscar-Winning Star Wars Sound Mixer Bob Minkler Was 78

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From NYFF, Martin Scorsese And Kent Jones Extemporize On Film Preservation

From NYFF, Martin Scorsese And Kent Jones Extemporize On Film Preservation

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A. O. Scott On “Star Wars, Elvis And Me”

A. O. Scott On “Star Wars, Elvis And Me” “I’ve never known audience participation like it, absolutely rocking. I was so inspired I wanted to shoot myself. My biggest compliment can be [to get] green with envy and really bad-tempered. That damn George, sonofabitch. I’m very competitive. Star Wars Memories From Ridley Scott, Trey Parker,…

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Gielgud Estate Protests Posthumous Production Of Sir John’s 1970s Gay Porn Screenplay

Gielgud Estate Protests Posthumous Production Of Sir John’s 1970s Gay Porn Screenplay

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Jonnie Rosenbaum’s Favorite Film Review Ever Was Written By The Late Penelope Houston

Jonnie Rosenbaum‘s Favorite Film Review Ever Was Written By The Late Penelope Houston

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FSLC Pairs Lynch And Rivette For Dual Retrospective

THE FILM SOCIETY OF LINCOLN CENTER ANNOUNCES DETAILS FOR LYNCH/RIVETTE, DECEMBER 11-22 Dual retrospective pairs seven Lynch and seven Rivette films, including Rivette’s rarely screened Duelle with Lynch’s Lost Highway, L’amour fou with Wild at Heart, and more New York, NY (October 28, 2015) – The Film Society of Lincoln Center announced today the details…

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Elisabeth Moss On Lying And Acting

Elisabeth Moss On Lying And Acting

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Dennis Lim (In The New Yorker) On “David Lynch’s Elusive Language”

“Beneath a calm exterior is the subconscious, right? Everybody has their little—the denizens of the deep and all that.” Dennis Lim (In The New Yorker) On “David Lynch’s Elusive Language”

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“I never felt provocative besides maybe the length of the rape scene in Irreversible. But if people want to call you a provocateur or enfant terrible—and I don’t know why they always use French words to say that—I say I can play the French pervert in the room. If you’re looking to say, who’s the French pervert in the room, okay, I’ll play the part. But from the inside, I don’t think I relate to those words, especially in this film. It’s more like I’m just trying to be honest.”

“I never felt provocative besides maybe the length of the rape scene in Irreversible. But if people want to call you a provocateur or enfant terrible—and I don’t know why they always use French words to say that—I say I can play the French pervert in the room. If you’re looking to say, who’s the French…

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YouTube Turns Red For Your Green

YouTube Turns Red For Your Green

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Sony Pictures Classics’ Michael Barker On Changing Audiences

Sony Pictures Classics’ Michael Barker On Changing Audiences

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The Terror Of Mickey Rooney’s Final Years

The Terror Of Mickey Rooney’s Final Years

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Toledo Blade Axes Publication On Six Holidays

Toledo Blade Axes Publication On Six Holidays

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Vox Media Also Drops Out Of SXSW Interactive Over Giving In To Harrassment

Vox Media Also Drops Out Of SXSW Interactive Over Giving In To Harrassment

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Longtime Sight & Sound Editor Penelope Houston Was 88; Formalized The Magazine’s Every-Ten-Years Film Poll

Longtime Sight & Sound Editor Penelope Houston Was 88; Formalized The Magazine’s Every-Ten-Years Film Poll

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Par Picks Michael Mann’s Ferrari Pic After Finance Found, Partially From China

Par Picks Michael Mann’s Ferrari Pic After Finance Found from Vendian Entertainment And China’s Yoozoo Bliss.

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon