Movie City News Archive for December, 2015

Is It Time Already For The First Terrence Malick-Knight Of Cups Thinkpiece?

“Malick seizes the ineluctable pertinence of the spiritual question for a noble conscience, amidst the abundance of cultural shards, and the progressive loss of meaning entailed by the lethargy of our assailed senses. This is an art that possesses the intelligence of myths-to-come, and which reactivates the value of Mystery.” Is It Time Already For…

Read the full article »

Vittorio Storaro On His Latest Project With A Couple Of His Prep Collages

Vittorio Storaro On His Latest Project With A Couple Of His Prep Collages

Read the full article »

Girish Shambu On The Apu Trilogy In Buffalo On The Big Screen

Girish Shambu On The Apu Trilogy In Buffalo On The Big Screen

Read the full article »

Eric Hynes Defines An Era Of Film Production In Two Paragraphs

Eric Hynes Defines An Era Of Film Production In Two Sweet Paragraphs: “Don’t Fuck It Up”

Read the full article »

Amy Kaufman On How Young Actors Deal With Sudden fame

Amy Kaufman On How Young Actors Deal With Sudden fame

Read the full article »

Documentary Friends And Colleagues Remember Haskell Wexler

Documentary Friends And Colleagues Remember Haskell Wexler

Read the full article »

Art Of The Title Credits 2015’s 10 Best Openers

Art Of The Title Credits 2015’s 10 Best Openers

Read the full article »

Cinémathèque Française Dedicates A Floor To “Scorsese” Exhibition

Cinémathèque Française Dedicates A Floor To “Scorsese” Exhibition

Read the full article »

The FT On Why The UK Must Stop Strangling The BBC

The FT On Why The UK Must Stop Strangling The BBC

Read the full article »

Ian Fleming And The Golden Typewriter

Ian Fleming And The Golden Typewriter

Read the full article »

For Force Awakens Score, John Williams Says He “Felt A Renewed Energy And A Vitality”

“I fell in love immediately with Daisy Ridley. She is just a superstar born.” For Force Awakens, John Williams Says He “Felt A Renewed Energy And A Vitality”

Read the full article »

Hw’d Publicist And Awards Consultant Murray Weissman Was 90; Key Player In Miramax Oscar Campaigns, Other Clients Included Crash, “Hogan’s Heroes,” Judy Garland

Hw’d Publicist And Awards Consultant Murray Weissman Was 90; Key Player In Miramax Oscar Campaigns, Other Clients Included Crash, “Hogan’s Heroes,” Judy Garland

Read the full article »

Ren Klyce On Designing The Sound Inside Inside Out

Ren Klyce On Designing The Sound Inside Inside Out

Read the full article »

Justin Davidson On The Virtues Of 2015 Film Scores

Justin Davidson On The Virtues Of 2015 Film Scores

Read the full article »

Matthew Hiltzik Dares The Force And Its Fans

“As a ‘rebooting,’ the term ubiquitously applied to The Force Awakens, it feels entirely market-oriented, the way the Tide logo gets periodically redesigned to look fresh or the trademark figures of Betty Crocker and the Gerber Foods baby are redrawn to stay ‘modern.’ But redesigning logos and brand icons is a technique drawn from Madison Avenue, not…

Read the full article »

Mike Adamick Gets It

“No, Rey is not the perfect role model for little girls. She’s a role model for boys. Indeed, she’s the perfect role model for little boys, and a whole bunch of supposedly grown-ass men as well. She’s the role model they need. Frankly, she’s the role model our expanding universe of epic sexist bullshittery needs. And it’s about damn time,…

Read the full article »

Producer Stacy Sher On Shooting Hateful Eight At Almost 10,000 Feet Above Sea Level

Producer Stacy Sher On Shooting Hateful Eight At Almost 10,000 Feet Above Sea Level

Read the full article »

Donald Trump Reacts To Manchester Union Leader Publisher Comparing Him To “Biff” From Back To The Future

“He’s a real lowlife, there’s no question about it. He’s a very dishonest man.” Donald Trump Reacts To Manchester Union Leader Publisher Comparing Him To “Biff” From Back To The Future In Front Page Editorial

Read the full article »

Brie Larson On Preparing For Room

“We haven’t yet got to the point where there’s an over-saturation of strong female characters. There’s only a couple of them that happen every year.” Brie Larson On Preparing For Room

Read the full article »

Kevin Gosztola On Haskell Wexler’s Political Activism Until The End Of His Long Life

Kevin Gosztola On Haskell Wexler’s Political Activism Until The End Of His Long Life

Read the full article »

Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon