Movie City News Archive for February, 2016

The Explosive History Of The Deadly Projection Booth

The Explosive History Of The Deadly Projection Booth

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The Weekend Report

Deadpool would not be Trumped as it glided to its third weekend at the top of the charts with an estimated $31.7 million. Three national releases bowed Oscar weekend, with Gods of Egypt commanding second spot with $13.7 million. The other two weren’t as vibrant with Olympic oddity Eddie the Eagle grossing $6.2 million and the dirty-cops-and-robbers Triple 9 scamming $5.9 million.

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Red Carpet Interviewees Have Trouble Naming 5 Female Filmmakers

Red Carpet Interviewees Have Trouble Naming 5 Female Filmmakers

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David Kamp On Randy Newman And The Newman Film Scoring Clan

David Kamp On Randy Newman And The Newman Film Scoring Clan

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Yahoo! Axes 8 “Digital Magazines,” Leaving Only News, Sports, Finance And Lifestyle On Its Front Page

Yahoo! Axes 8 “Digital Magazines,” Leaving Only News, Sports, Finance And Lifestyle On Its Front Page

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Taki On “Flirting With Ava Gardner”

Taki On “Flirting With Ava Gardner”

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“How good and important the BBC is to British life is important to remember in extremis as a deluge of criticism descends.”

“How good and important the BBC is to British life is important to remember in extremis as a deluge of criticism descends.”

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Sarah Larson On Spotlight And Its Revelations

Sarah Larson On Spotlight And Its Revelations

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Biden Worsens Oscar Traffic

Biden Worsens Oscar Traffic

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Spirits By The Sea

Spirits By The Sea Spotlight, Directing, Editing, Robert Altman Award Best Ensemble; Brie Larson, Abraham Atta; Mya Taylor, Idris Elba; Son Of Saul; Ed Lachman, Carol; The Look Of Silence; Best First Screenplay, Emma Donoghue; Diary Of A Teenage Girl, Best First Feature; Krisha, Cassavetes Award

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Mark Olsen Says Spirits Have Gone Their Own Way

Mark Olsen Says Spirits Have Gone Their Own Way

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Rachel Syme Searches For “The Original Six,” Women Directors Who Banded To Challenge The Studio System In 1979

“Our experience was so long ago, and it was kind of sad. So younger women may think, ‘Let’s not talk to them. Let’s just move forward.’” Rachel Syme Searches For “The Original Six,” Women Directors Who Banded To Challenge The Studio System In 1979 And – Carrie Rickey On The Handful Of Women Directors, Including Elaine May, Who Began…

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“Hw’ds Obsession With the Bottom Line Is Just Discrimination in Disguise,” Cosmo Headlines Piece By Producer Stephanie Allain

“Hw’ds Obsession With the Bottom Line Is Just Discrimination in Disguise,” Cosmo Headlines Piece By Producer Stephanie Allain

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Adweek On The “Relentless Marketing Push” Behind Oscar Nominees

Adweek On The “Relentless Marketing Push” Behind Oscar Nominees And – The Advertisers Paying Record Prices For The Broadcast

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Tim Grierson Thinks Leo Might Have A Chance With All That ACTTTTING In The Revenant

Tim Grierson Thinks Leo Might Have A Chance With All That ACTTTTING In The Revenant

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Jen Yamato Will Have A Word With You About Eddie Redmayne In Jupiter Ascending

Jen Yamato Will Have A Word With You About Eddie Redmayne As Balem Abrasax In Jupiter Ascending

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A Snappy Anecdote From Susan King On Her Way Out LAT Door

A Snappy Anecdote From Susan King On Her Way Out LAT Door 

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Maclean’s On Writer-Director-Star Of Sicilian Vampire Frank D’Angelo

“The films’ only theatrical showings have come at off-the-radar festivals or on screens he himself rented. Vampire will receive its Canadian premiere at a Cineplex in Vaughan, north of Toronto. The theatre sits just off a major highway and is shaped like a spaceship. His latest film required four drones, three jibs and eight cameras,…

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Marc Caro’s Oscar-Stumper Quiz Moves To The Times

Marc Caro‘s Oscar-Stumper Quiz Moves To The Times

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Bill Wyman Slices The Numbers: “Everything You Know About Oscars And Diversity is Wrong”

Bill Wyman Slices The Numbers: “Everything You Know About Oscars And Diversity is Wrong”

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon