Movie City News Archive for May, 2016

Aaron Stewart On Bi Gan, Director Of Kaili Blues, The Week’s Most Rapturously Received Debut

Aaron Stewart On Bi Gan, Director Of Kaili Blues, The Week’s Most Rapturously Received Debut

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Sean Axmaker On “Genuine Acts Of Courage,” The Films Of Jafar Panahi Under Sentence Of Silence

Sean Axmaker On “Genuine Acts Of Courage,” The Films Of Jafar Panahi Under Sentence Of Silence

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Novelist Adam Thirlwell Appreciates “Unserious” Whit Stillman

Novelist Adam Thirlwell Appreciates “Unserious” Whit Stillman

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Friday Box Office Estimates

Apocalypse noise at $26.2 million, Alice hardly heard at $9.7 million; and birds stay Angry at $5 million, even after a 54% plunge.

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Two Hours Of Steve McQueen On The Route From Gallery To Cinema

Two Hours Of Steve McQueen On The Route From Gallery To Cinema

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Wilmington on Movies: Alice Through the Looking Glass

This new movie’s flaws seem to me less ruinous, its strengths less negligible, and its effect more enjoyable than naysayers have allowed. That doesn’t mean that you should rush out and see it, simply that the people involved did a better job than they have been credited.

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Kate Beckinsale Says Michael Bay Lacks Manners

“I think he was baffled by me because my boobs weren’t bigger than my head and I wasn’t blonde.” Kate Beckinsale Says Michael Bay Lacks Manners

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Rashida Jones On Slaying Slapstick

Rashida Jones On Slaying Slapstick

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Domestic Abuse-Accused Celebs Seldom Shunned

Domestic Abuse-Accused Celebs Seldom Shunned

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Multibillionaire Omidayar’s First Look Media Weighs In On Multibillionaire Thiel’s Financing Of Anti-Gawker Litigation

When eBay Founder And Gawker Went Against PayPal Founder And Hulk Hogan Multibillionaire Omidayar’s First Look Media Weighs In On Multibillionaire Thiel’s Financing Of Anti-Gawker Litigation

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How Field Of Vision Makes Such Rapid Turnaround On Its Short-Form Documentaries

“We can quickly back a filmmaker to keep them filming and then help them shape it into something we can make available worldwide in just a matter of months.” How Field Of Vision Makes Such Rapid Turnaround On Its Excellent Short-Form Documentaries

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Matt Singer Says X-Men Movies Make Less Sense Than Even All The Other Superhero Movies Dancing Along Timelines

Matt Singer Says X-Men Movies Make Less Sense Than Even All The Other Superhero Movies Dancing Along Timelines

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Netflix Will Day-And-Date A Few Screens With Streaming Debut Of Paramount’s Cast-off Little Prince

Netflix Will Day-And-Date A Few Screens With Streaming Debut Of Paramount’s Cast-off Little Prince

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Whit Stillman Defines Donald Trump

“He’s definitely a cad, but without being a bounder. Donald Trump is definitely a cad, a knave and a fool, but I would say that his brothers and sisters are less low-class than he is, so he’s not really bounding. He wants to wallow in top models and things like that.” Whit Stillman Defines Donald Trump

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Gabriel Byrne On Success, Prizes And Priesthood

Gabriel Byrne On Success, Prizes And Priesthood

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Werner Herzog Goes Online With $90 Internet Course

Werner Herzog Goes Online With $90 Internet Course

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Paul Verhoeven: Elle Is Not A “Rape Comedy”

Paul Verhoeven: Elle Is Not A “Rape Comedy”

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Whit Stillman Makes More Metaphor For Love & Friendship

“Basically, there was an engine under the hood. When people work on material that doesn’t have an engine, it doesn’t have that tension to takes it to interesting places. And that’s what’s so frustrating about the film business: so many times you hear people saying that everyone’s done such good work, but in fact, it’s…

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“Spielberg clearly likes to be popular. He also retains a childlike awe about the magic of cinema. That may sound trite but is one of his most distinguishing factors—he comes at movies from the perspective of the fan.”

“Spielberg clearly likes to be popular. He also retains a childlike awe about the magic of cinema. That may sound trite but is one of his most distinguishing factors—he comes at movies from the perspective of the fan.”

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Jill Richards On Richard Linklater’s “Bros In Paradise”

Jill Richards On Richard Linklater’s “Bros In Paradise”

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon