Movie City News Archive for September, 2016

James Ellroy On Curtis Hanson

“He was a voyeur, he was a camera.” James Ellroy On Curtis Hanson

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Pride, Unprejudiced: DEKALOG, THE NEON DEMON, CITY OF GOLD

Made for Polish television for 1988 broadcast, the ten short films of Krzysztof Kieslowski’s glorious masterpiece, Dekalog, are loosely based on the ten commandments, loosely enough that the then-47-year-old filmmaker resisted identifying which installment was based on which commandment

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Ewan McGregor On Directing American Pastoral And Working With Danny Boyle Again

Ewan McGregor On Directing American Pastoral And Working With Danny Boyle Again

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Mekado Murphy On The Box Office Power Of Denzel Washington

Mekado Murphy On The Box Office Power Of Denzel Washington

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Paul Verhoeven And Adam Nayman Talk Elle

Paul Verhoeven And Adam Nayman Talk Elle

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“We Tell Ourselves Franchises In Order To Live,” By Dan Schoenbrun

“We Tell Ourselves Franchises In Order To Live,” By Dan Schoenbrun 

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At IFP Film Week, A Good Give-And-Take On Whether Filmmakers Should Shoot On 16mm

At IFP Film Week, A Good Give-And-Take On Whether Filmmakers Should Shoot On 16mm

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AMC Says It’s All Reserved Seating At Its 400 Locations “In The Medium-Term Future”

AMC Says It’s All Reserved Seating At Its 400 Locations “In The Medium-Term Future”

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Disney May Have Taste For Twitter

Disney May Have Taste For Twitter

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Brit Director Amma Asante Says Film Industry Has “Misguided Distrust” Of Female Filmmakers

Brit Director Amma Asante Says Film Industry Has “Misguided Distrust” Of Female Filmmakers

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Writes Anne Thompson

 “This year’s film slate will inevitably yield an Oscars Less White.” Writes Anne Thompson

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John Boorman, Bored With Prospect Of Writing A Filmmaking Text At 83, Writes His Lessons As A Novel Instead

John Boorman, Bored With Prospect Of Writing A Filmmaking Text At 83, Writes His Lessons As A Novel Instead

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Herschell Gordon Lewis, 87, “Godfather Of Gore” Also Noted For Expertise In Copywriting, Direct Mail Marketing

“Cahiers du Cinema called you ‘a subject for further research.’” “That’s what they say about cancer!” Herschell Gordon Lewis, 87, “Godfather Of Gore” Also Noted For Expertise In Copywriting, Direct Mail Marketing

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Eric Hynes On How Today’s Nonfiction Filmmaking Resembles 1960s “New Journalism”

A Major, Personal Piece By Eric Hynes On How Today’s Nonfiction Filmmaking Resembles 1960s “New Journalism”

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Jesse Green On Years Of Interviewing Edward Albee

“Albee said that theater had a responsibility to hold up a mirror to humanity, not to explain it. Anyway, explaining was a bore, and another of the theater’s responsibilities, he said, was to entertain.” Jesse Green On Years Of Interviewing Edward Albee

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“It takes two years to make a movie, two hours to watch one, and two minutes to demolish it. That’s the fundamental indecency of criticism. I’m sympathetic to Cianfrance and to any filmmaker whose work gets bad reviews, even if the work isn’t good; they’re people.”

“It takes two years to make a movie, two hours to watch one, and two minutes to demolish it. That’s the fundamental indecency of criticism. I’m sympathetic to Derek Cianfrance and to any filmmaker whose work gets bad reviews, even if the work isn’t good; they’re people.”

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Rob Meurer, 65, Songwriter Who Worked With Christopher Cross

Rob Meurer, 65, Songwriter Who Worked With Christopher Cross

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Lionsgate Could Make More Twilight

Lionsgate Could Make More Twilight

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Director Brenda Chapman On Life After Pixar

Director Brenda Chapman On Life After Pixar

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon