Movie City News Archive for December, 2016

Mike Mills On 20th Century Women

“I don’t like ‘Seinfeld.’ Everyone loves ‘Seinfeld,’ and it’s obviously a great thing, but that sort of snarkiness … like, displaying your worst parts as comedy, I find incredibly privileged. I don’t relate to it. My complaint about myself is, like, ‘Mike, can you fucking just be a little less sweet and vulnerable? Can you…

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“Lillian Ross embodies something of the camera’s capacity for cold neutrality. She reveals a scene as we would see it—if we knew how to look.”

“Lillian Ross embodies something of the camera’s capacity for cold neutrality. She reveals a scene as we would see it—if we knew how to look.”

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Wesley Morris On How George Michael Mattered Beyond The Music

Wesley Morris On How George Michael Mattered Beyond The Music

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Angelica Jade Bastién Says 2016 Was A Year Of Challenging, Dynamic Portrayals Of Women In Control Of Their Sex Lives

Angelica Jade Bastién Says 2016 Was A Year Of Challenging, Dynamic Portrayals Of Women In Control Of Their Sex Lives

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Seasonal Rockettes Can Opt Out, But Core Thirteen Must Dance For Trump

Seasonal Rockettes Can Opt Out, But Core Thirteen Must Dance For Trump

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Carrie Fisher As Seen By A. O. Scott

“The frank, funny, confessionally inclined and dirty-minded women who now flourish on television and in print — the list is too long; they know who they are — are in her debt.” Carrie Fisher As Comic Matriarch, By A. O. Scott

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Laurie Penny Looks Back, But Forward, Too

“This has been a spiteful fucker of a year. The terrorist atrocities, the refugee crisis and the fall of Western Democracy would have been enough by themselves, but really – Carrie Fisher? George Michael, on Christmas Day? That was a bit much. De trop. Unnecessary.” Laurie Penny Looks Back, But Forward, Too

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Rob Delaney On Carrie Fisher

“We’re a bit despotic and inflexible with our dialogue because we’re insane, but Carrie was more insane and would always, always make it funnier and better. Rob Delaney On Carrie Fisher

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The Wit Of 28-Year-Old Carrie Fisher From Esquire In 1985

The Wit Of 28-Year-Old Carrie Fisher From Esquire In 1985

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“Leia got things done. To fellow round-faced girls (and boys) throughout the world, the parallel was obvious: There’s nothing wrong with calling for help, but if the doors won’t open, grab a blaster of your own and shoot a way out.”

“Leia got things done. To fellow round-faced girls (and boys) throughout the world, the parallel was obvious: There’s nothing wrong with calling for help, but if the doors won’t open, grab a blaster of your own and shoot a way out.”

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Carrie Fisher And Madonna Talk Sex And Drugs In 1991

“OK, so back to things we have in common. Let me ask you something: Did you fuck Warren?” Carrie Fisher And Madonna Talk Sex And Drugs In 1991

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15 Ostensibly Feminist Quotes From Carrie Fisher

“I tell my younger friends that no matter how I go, I want it reported that I drowned in moonlight, strangled by my own bra.” 15 Ostensibly Feminist Quotes From Carrie Fisher

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“Like the famous sci-fi character that introduced her to millions of fans around the world, Carrie Fisher had no patience for bullshit.”

“Like the famous sci-fi character that introduced her to millions of fans around the world, Carrie Fisher had no patience for bullshit.”

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Back, And To The Right, With JFK 25 Years Later

Back, And To The Right, With JFK 25 Years Later

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Bret Easton Ellis On His Small-Screen Softcore Porn Series

Bret Easton Ellis On His Small-Screen Softcore Porn Series

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David L. Ulin On The “Creative Holy Trinity” Of Double Indemnity

David L. Ulin On The “Creative Holy Trinity” Of Double Indemnity

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Arkansas Police Request Amazon Echo Recordings In Homicide Case

Arkansas Police Request Amazon Echo Recordings In Homicide Case

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37 Random Carrie Fisher Quotes And Quips

“Instant gratification takes too long.” 37 Random Carrie Fisher Quotes And Quips

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Ricky Harris, 54, Acted In Heat, Poetic Justice, “People Vs. O. J. Simpson”

Ricky Harris, 54, Acted In Heat, Poetic Justice, “People Vs. O. J. Simpson”

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Facebook Consolidates Facts Of Your Life, Buying Dossiers From Five Data Brokers

Facebook Consolidates Facts Of Your Life, Buying Dossiers From Five Data Brokers

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon