Movie City News Archive for March, 2017

Kong China’s Second-Biggest 2017 Opener

Kong China’s Second-Biggest 2017 Opener

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Alison Willmore On “The Rise Of The Flesh-Eating Feminist Female Lead”

Alison Willmore On “The Rise Of The Flesh-Eating Feminist Female Lead”

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George Lucas Grants USC School of Cinematic Arts With Second $10 Million Endowment Toward Diversity

George Lucas Grants USC School of Cinematic Arts With Second $10 Million Endowment Toward Diversity

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Report: Obama To Pen Memoir On Marlon Brando’s Tetiaroa

Report: Obama To Pen Memoir On Marlon Brando’s Tetiaroa

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“The Writers Guild asserted that the studios have largely refused to respond to their efforts to address the financial strains that many TV writers in particular are facing amid broad changes in the industry.”

“The Writers Guild asserted that the studios have largely refused to respond to their efforts to address the financial strains that many TV writers in particular are facing amid broad changes in the industry.”

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“Rock’s demographic crisis has been a concern for some time. But the spate of deaths over the past 18 months highlights the limited time frame the industry has to buttress its future and figure out how to better attract young audiences and develop young stars.”

“Rock’s demographic crisis has been a concern for some time. But the spate of deaths over the past 18 months highlights the limited time frame the industry has to buttress its future and figure out how to better attract young audiences and develop young stars.”

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Academy Launches 2017 Student Academy Awards Competition

THE ACADEMY LAUNCHES 2017 STUDENT ACADEMY AWARDS® COMPETITION New Expanded International Eligibility: Winners Eligible for Oscars® LOS ANGELES, CA – The Academy is now accepting entries for its 2017 Student Academy Awards® competition. All Student Academy Award® winners become eligible for Oscars® consideration. The entry deadline for submissions is Thursday, June 1. New this year, the…

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“To Donald Trump, The American City Will Always Be A Dystopic, 1980s-Movie New York”

“To Donald Trump, The American City Will Always Be A Dystopic, 1980s-Movie New York”

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Elon Musk Putting A Billion Dollars Toward Preempting An “Artificial Intelligence Apocalypse”

Elon Musk Putting A Billion Dollars Toward Preempting An “Artificial Intelligence Apocalypse”

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Looking Back To Toronto’s Renegade UHF CITY-TV, Partial Inspiration For Videodrome

Looking Back To Toronto’s Renegade UHF CITY-TV, Partial Inspiration For Videodrome

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Barry Jenkins’ Adaptation Of Colson Whitehead’s “The Underground Railroad” Confirmed In Development For Amazon Limited Series

Barry Jenkins’ Adaptation Of Colson Whitehead’s “The Underground Railroad” Confirmed In Development For Amazon Limited Series

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Amazon Streaming Crackdown On “Extreme” Content

“Amazon might be getting rid of numerous ‘extreme’ indie horror titles from their free queue but the rent or buy option is still available to all filmmakers, and it means more revenue.” Amazon Streaming Cracks Down On “Extreme” Content “Included With Prime”

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“TV industry executives and Wall Street skeptics question whether Netflix can add enough subscribers, especially in international markets, to support its breakneck spending pace and justify a $60 billion market capitalization that values Netflix at more than 300-times its 2016 earnings. Netflix’s overall subscriptions grew 25% in 2016 from the previous year to nearly 94 million. Netflix has financed the spending by borrowing money, increasing its debt burden more than seventeen-fold since 2012 from $195.8 million to $3.4 billion.”

“TV industry executives and Wall Street skeptics question whether Netflix can add enough subscribers, especially in international markets, to support its breakneck spending pace and justify a $60 billion market capitalization that values Netflix at more than 300-times its 2016 earnings. Netflix’s overall subscriptions grew 25% in 2016 from the previous year to nearly 94…

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Richard Brody On A “Whimsical Yet Impassioned” Installation By Agnès Varda

Richard Brody On A “Whimsical Yet Impassioned” Installation By Agnès Varda

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So Sez Phil Clapp, Chief Exec, UK Cinema Association

“Both UK and US box office reached record levels. This year already promises to be even better. 2016 saw a record 900 titles arrive in UK cinemas. If Netflix poses any threat (and we’d be hard pressed to know, given its unwillingness to publish revenue figures), it is to the rest of the home entertainment sector…

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“Get Out and I Am Not Your Negro, in their different ways, mock and cheer the death of white racial innocence.”

“Get Out and I Am Not Your Negro, in their different ways, mock and cheer the death of white racial innocence.”

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Billionaire Investor Demands Access To Records Of tronc, Free-Spending Publisher Of Los Angeles Times, Over “Poor Corporate Governance”

Billionaire Investor Demands Access To Records Of tronc, Free-Spending Publisher Of Los Angeles Times, Over “Poor Corporate Governance” And – “Ferro has upped the ante. Using shareholders’ money, the company has spent $56 million buying Oaktree’s shares in tronc at $15 each, a 12% premium. This exercise has cost fronc nearly a third of its…

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David Milch Boards Possible “True Detective” Third Season, Inspires Peak Blogginess At EW

“At any rate, adding at least some of Milch’s voice into the ‘True Detective’ universe could be very cool for fans of both franchises if this newfound alliance between two strong voices works out.” David Milch Boards Possible “True Detective” Third Season, Inspires Peak Blogginess At EW

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Annapurna Pictures Partners With MGM For Some Int’l Distribution Of Theatrical Slate

ANNAPURNA PICTURES PARTNERS WITH METRO-GOLDWYN-MAYER ON SELECT INTERNATIONAL DISTRIBUTION OF FILM SLATE Los Angeles, CA (March 27, 2017) – Metro-Goldwyn-Mayer (MGM) is partnering with Annapurna to distribute all of Annapurna Pictures’ films in select international territories, it was announced today.  The multi-year partnership is set to begin this year with Annapurna’s first distribution title, Kathryn…

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Rumor: Sony Even Interviewed Warner’s Tsujihara To Replace Michael Lynton

Rumor: Sony Even Interviewed Warner’s Tsujihara To Replace Michael Lynton

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon