Movie City News Archive for April, 2017

“I cannot say I knew Jonathan Demme well. But I saw in him, more than once, the kind of care, patience, and kindness that helped make him such a distinctive moviemaker and person. If you were someone who shared even a little of his artistic enthusiasm, and/or his overall love of people, which balanced a cockeyed optimism with can-do pragmatism, he’d make you feel like a part of his extended family on those occasions when your orbit intersected his.”

“I cannot say I knew Jonathan Demme well. But I saw in him, more than once, the kind of care, patience, and kindness that helped make him such a distinctive moviemaker and person. If you were someone who shared even a little of his artistic enthusiasm, and/or his overall love of people, which balanced a…

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Ira Deutchman Remembers Working With Jonathan Demme

Ira Deutchman Remembers Working With Jonathan Demme

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When Young Jonathan Demme Met François Truffaut

When Young Jonathan Demme Met François Truffaut

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Seth Abramovitch On Whether Madonna Can Stop “Blonde Ambition” Production

Seth Abramovitch On Whether Madonna Can Stop “Blonde Ambition” Production

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THE REPUBLICAN PLAN TO NUKE THE INTERNET, REVEALED

“The Republican Plan To Nuke The Internet, Revealed” “They make this weird argument that what the FCC did was popular and what they’re about to do is unpopular. Lots of people come talk with me about an open internet — that transcends partisan politics and analysis.’”

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“The House will vote on a bill that will make the US Register of Copyrights a presidential appointment, confirmed by the Senate. The bill is celebrated by big copyright owners and dreaded by public interest groups, the result of a power struggle that could dictate how much industry will influence who runs the US Copyright Office.”

“The House will vote on a bill that will make the US Register of Copyrights a presidential appointment, confirmed by the Senate. The bill is celebrated by big copyright owners and dreaded by public interest groups, the result of a power struggle that could dictate how much industry will influence who runs the US Copyright…

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Charlie Lyne Continues His Absurdist Battle Against British Film Censorship

Charlie Lyne Continues His Absurdist Battle Against British Film Censorship

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Some L. A. Small Businesses Brace For Potential Writers Strike

Some L. A. Small Businesses Brace For Potential Writers Strike

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A Farewell To Jonathan Demme

He will be remembered mostly for his many achievements as a film director, but I am sure he would feel no slight to be remembered as simply a great human being.

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I was friends with Jonathan Demme for over 40 years. His greatness as a filmmaker is only exceeded by his greatness as a human being. — Roger Corman (@RogerCorman) April 26, 2017

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“It should be easy to say goodbye to a filmmaker who achieved so much. But it’s not. There are plenty of modern-day directors who are cool, as Demme was, and some who perhaps have as much heart. But no one has shown such perfectly balanced proportions of both.”

“It should be easy to say goodbye to a filmmaker who achieved so much. But it’s not. There are plenty of modern-day directors who are cool, as Demme was, and some who perhaps have as much heart. But no one has shown such perfectly balanced proportions of both.”  

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Bruce Weber’s Lilting Obit For Jonathan Demme

“A personable man with the curiosity gene and the what-comes-next instinct of someone who likes to both hear and tell stories, Mr. Demme had a good one of his own, a Mr. Deeds kind of tale in which he wandered into good fortune and took advantage of it.” Bruce Weber’s Lilting Obit For Jonathan Demme

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Netflix May Do Truncated Theatrical Releases In France

“We are exploring theatrical distribution of these two films in France, for a limited theatrical run, day-and-date with the films’ release on Netflix.” Netflix May Do Truncated Theatrical Releases Of Cannes Competition Titles

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Laura Emerick Reports From Ebertfest

Laura Emerick Reports From Ebertfest

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Marc Bernardin On Voting WGA Strike Authorization

“None of that changes the fact that I am scared shitless. I am not a 24-year-old kid coming out of film school and sharing an apartment with a gaggle of friends. I have a family that needs health insurance and a mortgage that needs to be paid. I am a grown-ass man who lives in…

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A Disturbing Take On How The Cars Cars Came Into Being

A Disturbing Take On How The Cars Cars Came Into Being

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David Byrne On Jonathan Demme

“Jonathan’s skill was to see the show almost as a theatrical ensemble piece, in which the characters and their quirks would be introduced to the audience, and you’d get to know the band as people, each with their distinct personalities. They became your friends, in a sense.” David Byrne On His Friend Jonathan Demme

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“Demme was alert to what was precious and true in every life he chanced upon, and he wanted to impress his audience the importance of remaining open to the world and the possibilities of understanding it affords us. Just because the story has a hero doesn’t mean everyone else is subordinate to him. Everyone else has a story, too: listen to them, be attentive and observant, and your own will prove all the more abundant.”

“Demme was alert to what was precious and true in every life he chanced upon, and he wanted to impress his audience the importance of remaining open to the world and the possibilities of understanding it affords us. Just because the story has a hero doesn’t mean everyone else is subordinate to him. Everyone else has a…

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Mark Harris Looks Back To Two For The Road For “Cinema ’67 Revisited”

Mark: I just wish you’d stop sniping. Joanna: I haven’t said a word. Mark: Just because you use a silencer doesn’t mean you’re not a sniper. Mark Harris Looks Back To Two For The Road For “Cinema ’67 Revisited”

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon