Movie City News Archive for June, 2017

You Read It There First

“How Spider-Man: Homecoming Will Save Sony’s Summer And Launch A-List Careers” You Read It There First

Read the full article »

THR Asks Bigs How They Get Through The Day

Bob Iger: “A workout and my iPad.” James Murdoch: “Laughing out loud at least once.” Lachlan Murdoch: “Quietly acknowledging the responsibilities we have to both employees and our customers around the world.” Bob Bakish: “My Android Blackberry.” THR Asks Bigs How They Get Through The Day

Read the full article »

The DVD Wrapup: T2 Trainspotting, Autopsy of Jane Doe, Dirty, Trespass, Monster Hunt and more

God bless Margaret Mitchell. When pressured for a sequel to the novel of Gone With the Wind, she claimed not to have a notion as to what may have happened to Scarlett and Rhett, and that she had “left them to their ultimate fate.” Ditto, François Truffaut, who, in 1974, turned down an opportunity to remake Casablanca. It took 14 years for writer-director Richard Curtis to acknowledge the clamor for a reunion sequel to his surprisingly resilient Love Actually. It runs all of 15 minutes, and was shown on British and American television two months ago, as part of one of his charity’s worldwide events. If fans of Grown Ups, Bridget Jones’s Diary and American Pie could be as easily sated, the world would be a better place. That said, however, as unnecessary sequels go, Danny Boyle’s T2 Trainspotting, isn’t bad.

Read the full article »

Review: Spider-Man: Homecoming (spoiler-free)

Sony, who had something to gain from allowing Spider-Man to be part of the Marvel Cinematic Universe, just allowed Marvel to make their superstar into a supporting player.

Read the full article » 34 Comments »

Tyler Perry To Play Oscar Micheaux

Tyler Perry To Play Oscar Micheaux

Read the full article »

Dawn Hudson On The Added Academy Membership

“There are so many artists who were not admitted in the past because we had a limit on how many new members we invited each year. So with the elimination of those and the aggressive pursuit of excellence by all of our members, we will be able to expand in a more inclusive way for…

Read the full article »

Justin Chang, Fast And Curious, On 2017 Academy Invitees

“Maybe the Academy, far from seeing its standards decline, is figuring out what it means to have standards in the first place: namely, by fostering a membership that can genuinely be described as world class.” Justin Chang, Fast And Curious, On 2017 Academy Invitees

Read the full article »

Scott Feinberg Contra The Academy

“The Academy, with last year’s invitations, largely depleted the pool of women and people of color who have had the sorts of film-specific careers to merit an invitation. And, therefore, you can imagine how this year’s list looks even more problematic. The bottom line is that the Academy cannot fix the industry’s diversity problems any more…

Read the full article »

New York Times Copy Desk Addresses Top Editors

“We are one of the crucial layers of review that you seem so determined to erase, as the sudden removal of the public editor role shows. We are stewards of The Times, committed to preserving its voice and authority… you have turned your backs on us. We abhor your decision to wipe out the copy desk.”…

Read the full article »

VICE Retracts Stories About Disney Animatronic Trump

“We are conducting a full editorial review to pinpoint how this source was vetted, and how these stories were approved and published in violation of our usual editorial workflow.” VICE Retracts Two Stories About Disney Animatronic Trump

Read the full article »

Reuters Institute For The Study Of Journalism Says Consumers Don’t Consume News Video

Reuters Institute For The Study Of Journalism Says Consumers Don’t Consume News Video

Read the full article »

“‘For the first time, which wasn’t the case with the Walkman or the Discman, the iPod meant people could basically start soundtracking their own lives,’ says Edgar Wright.”

“‘For the first time, which wasn’t the case with the Walkman or the Discman, the iPod meant people could basically start soundtracking their own lives,’ says Edgar Wright.”  

Read the full article »

Richard Rushfield Surmises Sony’s History With Marvel And Present/Future With Tom Rothman

“The two studios are contractually locked together for at least two more years. Contracts will be fulfilled, but don’t look to Marvel to throw in any extra heroes as party favors, or to sign on for another go-around.” Richard Rushfield Surmises Sony’s History With Marvel And Present/Future With Tom Rothman

Read the full article »

Kim Morgan On The Great The Long Good Friday And The Even Greater Bob Hoskins

“An unlikely leading man in the vein of Edward G. Robinson, James Cagney, a bulldog (or, more, a pitbull) and that guy who either hugs or punches you (or both) after a long night of drinking, he was a stocky lug, short in stature but large in charisma, with a slangy eloquence that was rough-hewn…

Read the full article »

Bilge Ebiri And Sofia Coppola On “The Sofia Coppola Touch”

Bilge Ebiri And Sofia Coppola On “The Sofia Coppola Touch”

Read the full article »

Los Angeles Approves Plans For George Lucas Memorabilia Museum

“I realized that the whole concept of narrative art has been forgotten.” Los Angeles Approves Plans For George Lucas Memorabilia Museum

Read the full article »

Besson EuropaCorp Records $136 Million Loss At Dawn Of Valerian

Besson EuropaCorp Records $136 Million Loss At Dawn Of Valerian

Read the full article »

Steven Yeun On Working With Bong Jong-hoo

“Maybe Korean cinema as it stands loves exploring the fact that life is everything, that life isn’t just a comedy or a thriller or a horror. It’s all of them.” Steven Yeun On Working With Bong Jong-hoo

Read the full article »

Movie Actor Credited With Helicopter Attack On Venezuela Gov’t Buildings

Movie Actor Credited With Helicopter Attack On Venezuela Gov’t Buildings

Read the full article »

John Singleton Opens Up Over L. A. Catfish Dinner

“The crack epidemic gave me something to write about – but I had to survive it first.” John Singleton Opens Up Over L. A. Catfish Dinner

Read the full article »

Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon