Movie City News Archive for June, 2017

For The Master’s 78th, Criterion Draws From The Kieślowski Archives

For The Master’s 78th, Criterion Draws From The Kieślowski Archives

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Female Directors On Directing Sex Scenes And Nudity

Female Directors On Directing Sex Scenes And Nudity

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Jen Yamato Sits A Spell With Ana Lily Amirpour

Jen Yamato Sits A Spell With Ana Lily Amirpour

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The Making Of Brit Classic Rita Sue And Bob Too

“We did seven takes of me urinating against a wall after the car sex – apparently I wasn’t pissing triumphantly enough.” The Making Of Brit Classic Rita Sue And Bob Too

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UK Culture Sec’y May Announce Verdict This Week In Murdoch Sky Takeover

UK Culture Sec’y May Announce Verdict This Week In Murdoch Sky Takeover

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Scott Thompson: Old Kid In New Halls

“I feel like Moondoggy, the old guy that can still surf, and it’s nice. I feel rejuvenated and reborn. The cancer really threw me, and I went very far down. When you get that close to the edge, you have to think about what you really want to do.” Scott Thompson: Old Kid In New…

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Julie Burchill On “The Decline Of The Rock ‘N’ Roll Muse”

Julie Burchill On “The Decline Of The Rock ‘N’ Roll Muse”

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How TMZ Went From Airport Ambushes To Being The Biggest Pro-Trump Media Outlet

How TMZ Went From Airport Ambushes To Being The Biggest Pro-Trump Media Outlet

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Masha Gessen On “How Putin Seduced Oliver Stone”

Masha Gessen On “How Putin Seduced Oliver Stone”

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Colin Trevorrow Made Book Of Henry For Critics And Fans

“It’s a little heartbreaking, without getting too personal. It came to us as a shock. We did not anticipate that level of vitriolic dislike for the film. In the end, do I want to be somebody who pleases both audiences and critics? Absolutely. Is that hugely disappointing? It is. I know it’s something I am…

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A Happy 47th To Paul Thomas Anderson

A Happy 47th To Paul Thomas Anderson

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Jared Leto Partners With “User-Generated Fiction” Website

“Omni is one of the crown jewels in the Jerrick portfolio. I can’t think of a better person to partner with in developing its content than Jared, whose career has been defined by fearlessness, otherworldly talent and creative risk-taking.” Jared Leto Partners With “User-Generated Fiction” Website  

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Fox Sports Firing 20 Online Writers, Replacing Words With Video Production

Fox Sports Firing 20 Online Writers, Replacing Words With Video Production

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Introducing Becky Aikman’s Thelma & Louise Making Of, “Off The Cliff”

Introducing Becky Aikman’s Thelma & Louise Making Of, “Off The Cliff”

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Elaine Blair On Daughters, Fathers And Louis C. K.

Elaine Blair On Daughters, Fathers And Louis C. K.

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The Disinviting Of Chicago Sun-Times Theater Critic Hedy Weiss Grows

The Disinviting Of Chicago Sun-Times Theater Critic Hedy Weiss Grows

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“Let’s begin by making one point clear: We support our theater critic, Hedy Weiss. She will continue to be a valued critic for the Sun-Times. And we are more than happy to pay for our own tickets to review theater productions.”

“Let’s begin by making one point clear: We support our theater critic, Hedy Weiss. She will continue to be a valued critic for the Sun-Times. And we are more than happy to pay for our own tickets to review theater productions.”

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“There’s lots of theater in Chicago, but for an absurd performance steeped in cluelessness our money is on the offstage angst directed at Sun-Times critic Hedy Weiss. The deal between professional artists and critics is that artists create art and critics critique. Artists don’t have to like the reviews, or even read them, but they have to suck it up and take them, assuming they are delivered in good faith, as longtime critic Weiss does. Complain too much, theater people, and you look like crybabies, especially if you also accept praise.”

“There’s lots of theater in Chicago, but for an absurd performance steeped in cluelessness our money is on the offstage angst directed at Sun-Times critic Hedy Weiss. The deal between professional artists and critics is that artists create art and critics critique. Artists don’t have to like the reviews, or even read them, but they have…

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“We’re genre agnostic and budget agnostic at TriStar. The common denominators for all TriStar films are they are original or elevated or filmmaker-driven in some way.”

“We’re genre agnostic and budget agnostic at TriStar. The common denominators for all TriStar films are they are original or elevated or filmmaker-driven in some way.”

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon