Movie City News Archive for August, 2017

From 2010, Katrina Longworth On Cinefamily’s “Hadrian Belove: Pathologically Idiosyncratic Programming”

“Belove doesn’t drop the H-word pejoratively — in fact, breaking through the cycle of “hipster self-loathing” is key to the “family” part of Cinefamily’s mission. “ ’Hipster’ just means anyone who’s interested, who is hip to culture. It should be something of a badge. We want to be welcoming. We want to be a theater that…

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From 1998, Philip Brophy Goes Wild On Sound Design of Texas Chain Saw, Among Many Other Transgressive Pics

From 1998, Philip Brophy Goes Wild On Sound Design of Texas Chain Saw, Among Many Other Transgressive Pics

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Anne Thompson Looks Under The Hood At Searchlight And Releases Like Patticake$

Anne Thompson Looks Under The Hood At Searchlight And Releases Like Patti Cake$

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Cinefamily Shutters, Simmers As Supplemental Sexism Accusations Surface; 17 Former Employees And Volunteers Talk To Buzzfeed

Cinefamily Shutters, Simmers As Supplemental Sexism Accusations Surface; 17 Former Employees And Volunteers Talk To Buzzfeed

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Kathy Griffin Strikes Back

“When the president tweeted about me the morning after I released the image, it served as an executive order of sorts to his family and supporters to go after me. You may say I deserved it, but just think about it… the president of the United States and his family are going after a stand-up…

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Michael Phillips On The Malevolent Magnificence Of The Closing Shot Of Texas Chain Saw Massacre

Michael Phillips On The Malevolent Magnificence Of The Closing Shot Of Texas Chain Saw Massacre vid

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Marc Webb, Nick Hornby, Bill Pohlad, Condé Nast, Bruna Papandrea And Reese Witherspoon Team Of Bio Of Westboro Baptist Escapee

 MARC WEBB TO DIRECT AND NICK HORNBY TO WRITE THE SCREENPLAY FOR “THIS ABOVE ALL”—THE TRUE STORY OF MEGAN PHELPS-ROPER, A WESTBORO BAPTIST CHURCH CONVERT River Road and Condé Nast Entertainment Producing along with Reese Witherspoon, Bruna Papandrea and Marc Webb The Script to be Adapted from a New Yorker Article by Adrian Chen and…

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“Hellboy” Reboot Actor Leaves After Race Concerns

“Representation of ethnic diversity is important.” “Hellboy” Reboot Actor Leaves After Race Concerns

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American Cinematographer Unlocks Vittorio Storaro On Making Apocalypse Now

“The same day that Fred Roos came to Rome to speak with me, I met with Jodorowsky; he was planning to direct ‘Dune,’ and he offered me the chance to shoot it. I love Frank Herbert’s book, and at that time I thought Apocalypse Now was just another war picture. To Italians in the year 1975, the…

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Premiere: “Raising Bertie” On POV

One of my favorite docs of the year, Margaret Byrne’s long-in-the-works Raising Bertie, is a behaviorally rich and visually ravishing six-year immersion into the largely African-American North Carolina farming community of Bertie County.

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“Distracted Boyfriend” Photographer Learns What A Meme Is

“Distracted Boyfriend” Photographer Learns What A Meme Is With – The “Meme Documentation Tumblr”

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“Has it changed my life? Well, I don’t know how it would be without having won awards. What I can say for sure is that without the Tarantino movies, everything would be completely different. That changed my life — not the awards.”

“Has it changed my life? Well, I don’t know how it would be without having won awards. What I can say for sure is that without the Tarantino movies, everything would be completely different. That changed my life — not the awards.”

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Chicago Underground Sets Twenty-Fifth Anniversary Celebration

CALLING ALL STARS: CHICAGO UNDERGROUND FILM FESTIVAL (CUFF) ANNOUNCES CALL FOR SUBMISSIONS FOR 25 ANNIVERSARY EDITION Still Alive at 25: Special Events, Special Screenings, Art Exhibits and Celebrity Guests of Honor Kick off the 25th Anniversary Celebration of the Longest Running Underground Film Festival in the World. In 1994 a gallon of gas was $1.09,…

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Guardian Looks To Philanthropy To Advance Investigative Reporting

Guardian Looks To Philanthropy To Advance Investigative Reporting

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Google Doodles Cinematographer James Wong Howe At 101

Google Doodles Cinematographer James Wong Howe At 101

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Longtime Variety Publisher-Owner Syd Silverman Was 85

Longtime Variety Publisher-Owner Syd Silverman Was 85

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“Race, and how your characters in Good Time exploit and use others, largely a range of black figures, have distressed, even offended, some reviewers.”

“Race, and how your characters in Good Time exploit and use others, largely a range of black figures, have distressed, even offended, some reviewers.” “I think there is a general difference between reflecting society and saying that you adhere to those same ideas. Just because you’re showing certain things that exist doesn’t mean you subscribe…

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“Mayweather vs McGregor: Business Partners Pull Off Fleece Of The Century”

“They staged their performance before 14,623 fans at the T-Mobile Arena, many of the men in sharp suits and no socks, many of the women in cocktail dresses and heels, as if attired for a garish wake. There were A-list celebrities, D-list celebrities, people who consider themselves celebrities and swarms of Irish people wrapped in their…

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“You can’t hide on the internet. Your sentence structure is more unique than a fingerprint. If an organization wants to find you, it will.”

“You can’t hide on the internet. Your sentence structure is more unique than a fingerprint. If an organization wants to find you, it will.”

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Old Forester Spins A Bourbon From Its Invention In Kingsman Sequel

Old Forester Spins A Bourbon From Its Invention In Kingsman Sequel

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon