Movie City News Archive for December, 2017

John Williams To Compose Han Solo Theme For John Powell’s Solo Score

John Williams To Compose Han Solo Theme For John Powell’s Solo Score

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tronc Loses NY Daily News Editor-Publisher With No Replacement On Horizon

tronc Loses NY Daily News Editor-Publisher With No Replacement On Horizon

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“A powerful person has been accused of misconduct at a rate of nearly once every 20 hours since Harvey Weinstein was accused of sexual harassment and assault on October 5. Here’s where 100 accusations currently stand.”

“A powerful person has been accused of misconduct at a rate of nearly once every 20 hours since Harvey Weinstein was accused of sexual harassment and assault on October 5. Here’s where 100 accusations currently stand.”

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Friday Box Office Estimates

Star Wars: The Last Jedi becomes the second fastest release to pass $500 million domestic today, ahead of Jurassic World and showing no signs of negative drag, aside from not matching the phenomenal opening of The Force Awakens, the first Star Wars movie in a decade. Jumanji: Welcome To The Jungle is living up to box office expectations, heading to over $175 million domestic through the holiday, making it the biggest non-F&F Dwayne Johnson movie ever. Things are less happy after these two, with Pitch Perfect 3, The Greatest Showman, Ferdinand, All The Money In The World, Darkest Hour, and Downsizing are all underperforming even modest hopes.

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Top Netflix Execs Among Beneficiaries Of New Tax Law; Sarandos Salary Upped To $12 Million From $1 Million

Top Netflix Execs Among Beneficiaries Of New Tax Law; Sarandos Salary Upped To $12 Million From $1 Million

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Marvel Sets Rigid Thematic And Political Strictures For A Forthcoming Make-Your-Own Comics App, Including, But Not Limited To, Farts, Death, Aliens, “Social Issues”

Marvel Sets Rigid Thematic And Political Strictures For A Forthcoming Make-Your-Own Comics App, Including, But Not Limited To, Farts, Death, Aliens, “Social Issues”

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“Comparing the performance of The Last Jedi to the pre–Force Awakens franchise is meaningless thanks to the changes in moviegoing over the years, but comparing it to The Force Awakens also sets an impossibly high bar: Sequels in general don’t do as well as their predecessors, a phenomenon that’s become even more pronounced in the era of cinematic universes, and expecting The Last Jedi to match either the gross or the hold of The Force Awakens seems unrealistic.”

“Comparing the performance of The Last Jedi to the pre–Force Awakens franchise is meaningless thanks to the changes in moviegoing over the years, but comparing it to The Force Awakens also sets an impossibly high bar: Sequels in general don’t do as well as their predecessors, a phenomenon that’s become even more pronounced in the era of cinematic universes, and expecting The…

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Eldridge Industries Plans Merger Of Hw’d Reporter-Billboard; Dick Clark Productions-Golden Globes; and Media Rights Capital, Producers of “House of Cards”

“A three-way merger would come amid a broader wave of consolidation in the media industry, from publishing to entertainment to production.” Eldridge Industries Plans Merger Of Hw’d Reporter-Billboard; Dick Clark Productions-Golden Globes; and Media Rights Capital, Producers of “House of Cards” 

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Hedge funds killed the newspaper industry, not the web

“Hedge funds killed the newspaper industry, not the web”

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R. Emmett Sweeney On Frank Borzage’s Delirious Romance, History is Made At Night, A Gem For New Year’s Eve

R. Emmett Sweeney On Frank Borzage’s Delirious Romance, History is Made At Night, A Gem For New Year’s Eve

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Apples to Bitcoin: “While It Is A Parlour Game,” Nielsen Asserts That “Bright,” If Theatrically Released And Viewers Had Left Home And Bought Individual Tickets, Would Have Grossed $98.2 Million

“Netflix does not issue viewership data and did not comment on the estimates.” Apples to Bitcoin: “While It Is A Parlour Game,” Nielsen Asserts That “Bright,” If Theatrically Released And Viewers Had Left Home And Bought Individual Tickets, Would Have Grossed $98.2 Million

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DAN TALBOT: NEW YORKER FILMS, LINCOLN PLAZA CINEMAS

DAN TALBOT, 90, MIND BEHIND NEW YORKER FILMS, LINCOLN PLAZA CINEMAS “My septuagenarian Jewish parents live in Monmouth County, New Jersey, yet still refer to this strange subterranean spot as ‘our theater.’ It’s for neighborhood people who want to take a walk and get a little cultcha.”

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Dan Talbot’s 2004 Gothams Acceptance Speech Holds Much Lore And Truth

“The point of these mini-tales is that our business is not so much a business as a casino. And in this casino the independent filmmaker must spend over 90% of his time looking for money to make his film.” Dan Talbot’s 2004 Gothams Acceptance Speech Holds Much Lore And Truth

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“The alphabet now ends at Y” Sue Grafton Was 77

“The alphabet now ends at Y” Sue Grafton Was 77

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China Court Seizes Assets of LeEco Topper Jia Yueting, Investor In Le Vision Pictures

China Court Seizes Assets of LeEco Topper Jia Yueting, Investor In Le Vision Pictures

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Stop reading what Facebook tells you to read

“Stop reading what Facebook tells you to read”

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“What Happened When I Publicly Shamed My Harasser” By Rose Marie

“You sonofabitch, you couldn’t get it up if a flag went by.”  “What Happened When I Publicly Shamed My Harasser” By Rose Marie

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ROSE MARIE WAS 94

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Rose Marie was 94

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon