Movie City News Archive for March, 2018

Paul Thomas Anderson And Richard Linklater in Conversation

Paul Thomas Anderson And Richard Linklater in Conversation

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Anonymous Solo Actor Tells Some

“It was crazy. They fired our bosses. Everyone was texting each other: ‘Did you see the news? Do you think they’re doing reshoots?’ It was messy. And it was crazy how everything got leaked to the press.” Anonymous Solo Actor Tells Some

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Spielberg on Netflix And the Oscars

“I don’t believe that films that are given token qualifications, in a couple of theaters for less than a week, should qualify for Academy Award nominations. Once you commit to a television format, you’re a TV movie. If it’s a good show, you deserve an Emmy. But not an Oscar.” Spielberg on Netflix And the…

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A24 Co-Founder John Hodges Exits

A24 Co-Founder John Hodges Exits

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“I am a congenital movie-sleeper, and I wouldn’t dare suggest that my falling asleep in a film is any indication of its quality. Except, in this case, I didn’t seem to be the only one. Multiple other Vulture staffers reported that they, too, had fallen asleep in Isle of Dogs. Those who didn’t fall asleep reported that, while they had kept their eyes open, their friend, or maybe their friend’s friend, could not.”

“I am a congenital movie-sleeper, and I wouldn’t dare suggest that my falling asleep in a film is any indication of its quality. Except, in this case, I didn’t seem to be the only one. Multiple other Vulture staffers reported that they, too, had fallen asleep in Isle of Dogs. Those who didn’t fall asleep reported…

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French Critics Protest Cannes Simultaneous Competition Premieres And Press Screenings français

French Critics Protest Cannes Simultaneous Competition Premieres And Press Screenings français

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“Ready Player One, Steven Spielberg’s prestige panoply of fanboy lore, represents the final suck of a two-decades-old everlasting gobstopper for author Ernest Cline, who turned his life as an Amblin-and-Atari-bred suburban dork into a commercial pop empire.” No, No, Thanks, The Lede’s Enough, Thanks Anyway

“Ready Player One, Steven Spielberg’s prestige panoply of fanboy lore, represents the final suck of a two-decades-old everlasting gobstopper for author Ernest Cline, who turned his life as an Amblin-and-Atari-bred suburban dork into a commercial pop empire.” No, No, Thanks, The Lede’s Enough, Thanks Anyway

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“My experience with the film has always been deeply self-conscious. As a spectator, at no moment do I lose awareness of my position as such. As for this idea of the slack-jawed, unthinking Showman viewer, I can safely say that few films in recent memory have made me wrack my brain as much as this one, both during screenings and after. A big part of this intense reflection stems from my belief that, as odd and inept as the film can be at times, it is also intensely self-aware.”

“My experience with the film has always been deeply self-conscious. As a spectator, at no moment do I lose awareness of my position as such. As for this idea of the slack-jawed, unthinking Showman viewer, I can safely say that few films in recent memory have made me wrack my brain as much as this…

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“What I like about a man or woman’s body is its flaws … I like the idea of time leaving its mark… perfection stinks.”

“What I like about a man or woman’s body is its flaws… I like the idea of time leaving its mark… perfection stinks.” Agnès Varda

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Horowitz

This is very silly and super harmful. Zero consideration for how OTT/streaming will completely revolutionize the types of films studios can and will make. https://t.co/vYhzKQx9fW — Jordan Horowitz (@jehorowitz) March 26, 2018 "You certainly, if it’s a good show, deserve an Emmy. But not an Oscar" https://t.co/9rE5T2tyEZ — Hollywood Reporter (@THR) March 26, 2018

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BBC Plummerizes Agatha Christie Actor After Rape Allegations

BBC Plummerizes Agatha Christie Actor After Rape Allegations

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“We don’t know anything about making television. So what skills does Apple bring to that? And the viewpoint is: very little. There’s other things we bring. We know how to create apps, we know how to do distribution, we know how to market. But we don’t really know how to create shows.”

“We don’t know anything about making television. So what skills does Apple bring to that? And the viewpoint is: very little. There’s other things we bring. We know how to create apps, we know how to do distribution, we know how to market. But we don’t really know how to create shows.”

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Romesh Ranganathan On “Diversity”

“Before A Wrinkle In Time came out, you would be hard pushed to find anybody to describe what it was about. All the press centred on how great it was to have a female director of colour, to have a female protagonist of colour and how DuVernay “wasn’t just casting actresses” but “leaders – icons”….

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Academy Prez John Bailey Defends Against Accusations

“There was a single named complaint regarding an allegation dating back more than a decade ago in which I am alleged to have to attempted to touch a woman inappropriately while we were both riding in a transport van on a movie set. That did not happen.” Academy Prez John Bailey Defends Against Accusation

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“The movie was finished, we all reviewed it together with J.J. and his team. We all decided there were things about it that made us have a pause about its commercial playability in the traditional matter. There was an ability for us to be fiscally prudent and monetize. For fans of Cloverfield, the fact is many, many more millions of people saw the movie. It’s a positive on every level.”

“The movie was finished, we reviewed it with J.J. and his team. We all decided there were things about it that made us have a pause about its commercial playability in the traditional matter. There was an ability for us to be fiscally prudent and monetize. For fans of Cloverfield, the fact is many, many…

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Maureen Dowd Makes Some Mega With Barry Diller

“Red Sparrow has some of the most violent and extreme sexual messiness that you could imagine. O.K., it was made a year and a half ago. Would it be made today in the same way? Probably so. So I don’t think it affects content. I mean, if you take the effect of pornography on young…

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Critics Roundup Website Quits

“I enjoyed not having movies on my brain 24/7. I haven’t looked at anything movie-related since that notice and it felt fucking great. No Twitter, no RSS, no movies whatsoever.” Critics Roundup Website Quits

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Cynthia Nixon On Why Politics Now

Cynthia Nixon On Why Politics Now

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The Iowa teacher who found a priceless film collection in a farmhouse basement”

“The Iowa teacher who found a priceless film collection in a farmhouse basement”

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon