Movie City News Archive for November, 2018

Criterion Channel

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Kenneth Turan Says The Passing Of William Goldman Is The Passing Of An Era Of H’wd

Kenneth Turan Says The Passing Of William Goldman Is The Passing Of An Era Of H’wd

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Howard Rodman On William Goldman

“Writing is finally about one thing: going into a room alone and doing it. Putting words on paper that have never been there in quite that way before.” Howard Rodman On William Goldman

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How China Is Rewriting Its Own Script In Movies

How China Is Rewriting Its Own Script In Movies

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Gurus O’ Gold On Best Picture, Best Supporting Actor, Best Actor

Gurus O’ Gold On Best Picture, Best Supporting Actor, Best Actor

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A. O. Scott On William Goldman

“If he’d stuck exclusively to novels, Goldman would most likely be eulogized now as a minor author, a middle-range talent who plied his craft in the shadow of more illustrious contemporaries. Instead, he occupies a special place in the history of movies. He wasn’t the first novelist to strike out for Hollywood, but he managed…

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“WarnerMedia’s library of 7,000 films and 5,000 shows may not alone be enough to face off against a streaming giant that is spending up to $13 billion annually, so an NBCUniversal team-up could make sense.”

“WarnerMedia’s library of 7,000 films and 5,000 shows may not alone be enough to face off against a streaming giant that is spending up to $13 billion annually, so an NBCUniversal team-up could make sense.”

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Willem Dafoe

“I’ve been apart from the world, working away on these little interior worlds. Basically, I’m like a cloistered nun.” Willem Dafoe

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Adam McKay

 “Dick Cheney was the safe-cracker, the professional you brought in who knew all the ins and outs of our government. With Trump, the front door to the White House is wide open. There’s deer and dogs and hyenas running around. So I would take the hyenas, the random wild animals running through the White House…

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Why China Objected To Taiwan’s Golden Horse Awards Ceremony

Why China Objected To Taiwan’s Golden Horse Awards Ceremony

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Polish Cinematographer Witold Sobociński Was 89; Films Include Frantic, Work With Skolimowski, Zanussi, Wajda

Polish Cinematographer Witold Sobociński Was 89; Films Include Frantic, Work With Skolimowski, Zanussi, Wajda

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Cleveland Celebrates New Robert Banks Film

Cleveland Celebrates New Robert Banks Film

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Designer Pablo Ferro Was 83

Designer Pablo Ferro Was 83 Art Of The Title Profiles Ferro Ferro’s Site

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“Jim Carrey Was Warned Against Getting Political With His Twitter Art”

“The first thing I did was give my Twitter to one of my assistants. I didn’t want to make that rash tweet choice at 3am like the president.” “Jim Carrey Was Warned Against Getting Political With His Twitter Art”

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Lindsay Bahr Talks To Marvin Levy About Honorary Oscar

“How lucky can you be? I mean it. We work for the best filmmaker around.” Lindsay Bahr Talks To Marvin Levy About Honorary Oscar

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“What It’s Really Like to Work for Kathleen Kennedy and Frank Marshall”

“‘Dr. Fantasy is a great party host, and a master of several complicated high dives into large cakes,’” Harrison Ford said.” “What It’s Really Like to Work for Kathleen Kennedy and Frank Marshall”

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BLACK PANTHER COMES TO ART HOUSE THEATERS NATIONWIDE WITH FREE SCREENINGS AND A LIVE Q&A WITH DIRECTOR RYAN COOGLER,  NOVEMBER 27

  PRESENTED BY FILM COMMENT MAGAZINE WITH SUPPORT FROM THE ART HOUSE CONVERGENCE NEW YORK, NY (November 16, 2018) – Black Panther returns to the big screen with free screenings at nonprofit art house theaters nationwide on Tuesday, November 27 at 4:00pm PT/7:00pm ET. Presented by Film Comment, a publication of the Film Society of Lincoln Center, and supported by the Art…

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“The Coen Brothers: above all in their work, the sibling filmmakers elegize the cock-up and the grandiloquent.”

“The Coen Brothers: above all in their work, the sibling filmmakers elegize the cock-up and the grandiloquent.”

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Scott Derrickson

Both negative and positive personal context impacts the movies we watch. When @ebertchicago named The Third Man as one of the ten best films ever made, he also qualified his view by describing the memorable rainy day he saw it in a small Paris theater. — Sc**t De£ick$0n (@scottderrickson) November 16, 2018

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William Goldman Was 87

There Was Somebody Who Knew Something William Goldman Was 87 William Goldman’s Best Lines

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon