Movie City News Archive for February, 2019

Feigbusters

Jason was a supporter of mine at a time when I couldn’t get movies made. He has always been a true gentleman to me and a supporter of Ghostbusters: Answer the Call. I can’t wait to see his take on the Ghostbusters universe. Big love and respect to you, Jason. Your fan, Paul https://t.co/2I9sqmrgTl —…

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Wolcott

Joined Vanity Fair in 1983, the year FLASHDANCE gladdened all our hearts, &, like the priest Clare Boothe Luce wanted to hear her first confession, was able to witness the rise & fall of empires from an ideal perch. It's been sweet, thanks all, & see you around the next bend. — James Wolcott (@JamesWolcott)…

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Dishonest Oscar Voter

True. “Brutally honest” academy voters make my stomach churn for the most part. — Cinema Snopes (@CinemaSnopes) February 20, 2019

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Schrader

“Independent Film is a cottage industry. If you can be financially responsible, you can remain in control.”—Paul Schrader #DCU2019 pic.twitter.com/Svjjp0dGnu — Film Independent (@filmindependent) February 21, 2019

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Asking him and he is react

Watch the moment these filmmakers became #Oscars nominees. pic.twitter.com/QujyP4R9Dk — The Academy (@TheAcademy) February 19, 2019

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Oscar Voting Is Now Closed.

Oscar Voting Is Now Closed. 

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I’m sorry that folks don’t have great movie houses like we do in LA. That said I grew up in NY and in the 1970s the moviegoing “experience” often meant scratched prints, shitty projection, filthy theaters, rats and pervs – I didn’t give a shit because I was there for the films. https://t.co/0qqkWow4hl — Manohla…

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Whoopi

https://twitter.com/nigelmfs/status/1098035111357005825?s=21

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“The Spielbergs Reopen The Milky Way, Mom’s Legendary Kosher Restaurant”

“The Spielbergs Reopen The Milky Way, Mom’s Legendary Kosher Restaurant”

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Zacharek

Movie shame: What if (like me), you love BOHEMIAN RHAPSODY and aren't totally anti-GREEN BOOK? https://t.co/cn3m2hrw2E — Stephanie Zacharek (@szacharek) February 19, 2019

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“Why Hollywood megachurches like Hillsong hide their true teachings”

“Why Hollywood megachurches like Hillsong hide their true teachings”

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“Dissident Artist Ai Weiwei Is Cut From Film; Producer Cites ‘Fear of China’”

“Dissident Artist Ai Weiwei Is Cut From Film; Producer Cites ‘Fear of China’”

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Visiting Derek Jarman’s Garden, 25 Years On

Visiting Derek Jarman’s Garden, 25 Years On

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Ebiri

Wait till the folks angry about John Wayne get a load of Walt Disney. — Bilge Ebiri (@BilgeEbiri) February 19, 2019

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Karl Lagerfeld

Karl Lagerfeld Was 85

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No “Luck” For Emma Thompson Over Concerns About Skydance’s John Lasseter

No “Luck” For Emma Thompson Over Concerns About Skydance’s John Lasseter

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Ai Weiwei

Chinese artist Ai Weiwei told DW why his contribution to the feature film 'Berlin, I love you' was deliberately cut out. @aiww pic.twitter.com/ezNQSfZ1eA — DW News (@dwnews) February 19, 2019

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“‘Competition has never been more fierce because it seems there is a battle for the future of Hollywood, the film industry and the Oscars themselves — not just in terms of saving the telecast from plummeting ratings, but also in terms of Netflix having a seat at the table,’ said Sasha Stone, a longtime Oscar observer.”

“‘Competition has never been more fierce because it seems there is a battle for the future of Hollywood, the film industry and the Oscars themselves — not just in terms of saving the telecast from plummeting ratings, but also in terms of Netflix having a seat at the table,’ said Sasha Stone, a longtime Oscar…

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China box

China box office: 'The Wandering Earth' passes $500mhttps://t.co/XXVu2DZG3W pic.twitter.com/cOpn5KOiF3 — Screen International (@Screendaily) February 18, 2019

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Stanley McChrystal On War Movies and Stuff

“I would love to have zero blemishes. I’ve learned there is no point trying to re-litigate it. In The Outlaw Josey Wales, there’s a great moment when Wales stands over the grave of a young guy who dies and says, “All I got to say is that I rode with him and I got no…

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon